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Electronic / Classical

Costin Miereanu - Le Royaume De La Reine Pellapouf mp3

Costin Miereanu - Le Royaume De La Reine Pellapouf mp3

Performer: Costin Miereanu
Title: Le Royaume De La Reine Pellapouf
Country: France
Catalog Number: PAI 2701
Label: Poly-Art International
Released: 1982
Style: Contemporary, Experimental, Minimal
Rating: 4.3
Votes: 787

Tracklist

1Le Royaume De La Reine Pellapouf19:50
2Première Coïncidence21:00

Credits

  • Composed By, Synthesizer, Photography By, Liner NotesCostin Miereanu
  • GraphicsP.G.S.

Notes

Le Royaume de la Reine Pellapouf (1978-79)
Première coïncidence (1978-79) pour 2 synthetiseurs : Poly - Moog et Mini Moog

Companies

  • Phonographic Copyright (p) – Poly-Art International
  • Copyright (c) – Costin Miereanu
  • Recorded At – Studio Ramsès

Album

1982, Poly-Art International PAI 2701 1 Le Royaume De La Reine Pellapouf 0:00 2 Première Coïncidence 19:50 French Composer of early free to Costin Miereanu Le Royaume De La Reine Pellapouf Le Royaume De La Reine Pellapouf, Première Coïncidence. 2 tracks 40:50. Do you know any background info about this album Start the wiki. Costin Miereanu born 27 February 1943 in Bucharest is a French composer and musicologist of Romanian birth. View wiki. Disc IDs. Cover Art 2. Costin Miereanu Romanian-French composer 1978 1979 tracks AB. recording of: Le Royaume de la Reine Pellapouf track A. Première Coïncidence track B. Format . My favourite store. Your feedback for Le Royaume De La Reine Pellapouf. Costin Miereanu born 27 February 1943 is a French composer and musicologist of Romanian birth. Miereanu was born in Bucharest and studied at the Music Academy there from 1960 to 1966 with Alfred Mendelsohn, Dan Constantinescu, and Lazar Octavian Cosma, and later at the École des Hautes Études et Sciences Sociales, at the Schola Cantorum, and at the University of Paris VIII, where he was awarded first prizes in writing, analysis, music history, esthetics, orchestration, and composition. Costin Miereanu. Profil: Romanian composer and performer of experimental music, born 27th February 1943 in Bucharest. He became a French citizen in 1977. Varianten: Alle werden angezeigt Costin Miereanu. Miereanu , C. Costin Miereanu Daniel Kientzy - Do-Mi-Si-La-Do-Re 1981 16:14. Costin Miereanu - Carrousel 1984, full album, 42:13. Master-Release -. Anmerkungen zur Veröffentlichung:optional. Anmerkungen zum Eintrag: optional. Enthaltene Veröffentlichungen . Watch now Costin Miereanu's video clip of album Le Royaume De La Reine Pellapouf. Genres of this release are. See also releases of Costin Miereanu: Click to release cover to see details: Fata Morgana. Todas Las Estrellas. The page does not contains any audio, text, video media material, protected by copyright law and does not contains any illegal MP3 content. Le royaume de lumiere - . Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Royaume by La Féline, released 18 May 2018 1. La Féline & Laetitia Sadier - À La Divinité The Belief Song 2. La Féline feat. Laetitia Sadier - Le Royaume 3. La Féline & Mondkopf - Comme Un Guerrier I 4. La Féline & Mondkopf - Comme Un Guerrier II 1. La Féline & Lætitia Sadier 2. À La Divinité The Belief Song is really good and Le Royaume is a clever re-work of the album version with additional English spoken words, a translation of the French lyrics. The two versions of Comme Un Guerrier are okay, too. Favorite track: À La Divinité The Belief Song. Christian Schaefer

Reviews (1)
Mazuzahn
These two works, which might be qualified as "transitive", go against, in a certain way, both evolutive music and repetitive music.We are dealing with functional music which replaces structural hierarchy by the fade-in out technique raised to the rank of an operating space-time mechanism. The two pieces form movement cycles, either open or proceeding by loops, appearing and disappearing in a virtual, nomadic flux-reflux in the likeness of sea-waves. In this way these works could be compared with the "oceanic" music of oral tradition since they incite listening based exclusively on Forget-fulness not on memory.

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