Beethoven, Orazio Frugoni - Sonata No. 21 "Waldstein" ; Sonata No. 15 "Pastoral" ; Sonata No. 25 "Alla Tedesca" ; Sonata No. 26 "Les Adieux", Orazio Frugoni Pianist mp3

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Credits

• Composed By – Beethoven
• Painting, Artwork By – Mopp.
• Piano – Orazio Frugoni

Notes

On Back Cover : Printed and Made By Graphis Press Ltd., London

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• Matrix / Runout (A Side Label): XTV 21125-2
• Matrix / Runout (B Side Label): XTV 21126-2
• Matrix / Runout (A Side Runout): XTV 21125-2B I I X
• Matrix / Runout (B Side Runout): XTV 21126-2E I K X

Album

Piano Sonata Waldstein - Ludwig van Beethoven. LIKE 3. Piano Sonata - - adagio molto Mp3 performed by Michael Hawley Public domain from . MP3 added the 2010-07-20 by FS. Performer : Michael Hawley Source : . Приобретайте пластинки, компакт-диски и многое другое от Orazio Frugoni на маркетплейсе Sonata No. 23 in F Minor, Op. Piano Sonata No. 25 in G Major, Op. Presto alla tedesca. Fazil Say. The Piano Sonata No. 25 in G major, Op. 79, a work in three movements, was written by Ludwig van Beethoven in 1809. It is alternatively titled Cuckoo or Sonatina, and it is notable for its shortness. It consists of three movements: Presto alla tedesca. It is one of Beethoven's shortest sonatas with an approximate performance time of only eleven minutes, if Beethoven's prescribed repeats are all observed. It is also the shortest of his sonatas with three movements. Cuckoo or Sonatina Alla Tedesca. Name Translations. 25 Klaviersonate Nr. 25 Sonata para piano n. º 25 Pianoarentzako 25. sonata Sonate pour piano nº 25 de Beethoven Sonata per pianoforte n. 25 ピアノソナタ第25番 Pianosonate nr. 25 Соната для фортепиано 25 Соната для фортепіано 25 Sonata per a piano núm. 25 Σονάτα για πιάνο No. Name Aliases. Beethoven, Ludwig van. OpusCatalogue NumberOp. 14 in C-Sharp Minor, Op. 27, No. 2, Moonlight: I. Adagio sostenuto. 28, Pastoral: III. Allegro assai - Allegro vivace. 53, Waldstein: I. Allegro con brio. The G major Sonata No. 25contains an opening Presto, an Andante slow movement, and a finale marked Vivace. The first movement also has the qualifying term alla Tedesca, or in the German style. From the outset, the work arouses a strong and positive impression, as a result of its sharply chiselled rhythmic formulae and a certain direct if not to say at times abrupt candor and spontaneity. That feeling of directness and clarity of expression also informs the following movement, a brief but eloquent Andante in 98 meter and simple ternary form. This not only re-affirms Viennese tast. 26 in E flat major 'Les Adieux', Op. In the 21st century, Wilhelm Backhaus has become something of a forgotten man. When his name is mentioned, it is usually only in an obligatory fashion - a name one drops to show they know a bit about music history, and nothing more. Too often, Backhaus is merely seen as a ghost whose salad days are only hinted at in murky sounding recordings from the pre-Hi Fi era. In these works, Backhaus is as athletic as any pianist with the exception of the preternatural Richter. 21 In C Major, Op. 53, Waldstein: II. Introduzione: Adagio Molto. 53, Waldstein: III. Rondo: Allegretto Moderato - Prestissimo. 27 In e Minor, Op. Mit Lebhaftigkeit. 90: II. Nicht Zu Geschwind