MP3 1315 mb.
Performer: William H. Reitz / Fred Van Eps
Title: U. S. A. Patrol / Rag Pickings
Country: US
Catalog Number: 16934
Label: Victor
Released: Oct 1911
Rating: 4.1
Votes: 522
| 1 | –William H. Reitz | U. S. A. PatrolWritten-By – Harrie A. PeckXylophone – William H. Reitz |
| 2 | –Fred Van Eps | Rag PickingsBanjo, Arranged By – Fred Van Eps |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 16934 | William H. Reitz / Fred Van Eps | William H. Reitz / Fred Van Eps - New Patrol / Rag Pickings (Shellac, 10") | Victor | 16934 | Canada | Unknown |
| 16934 | William H. Reitz / Fred Van Eps | William H. Reitz / Fred Van Eps - New Patrol / Rag Pickings (Shellac, 10") | Victor | 16934 | Canada | 1911 |
Black Victor labels.
Victor Talking Machine Co. Camden, N.J.
Performer: William H. Reitz Title: U. Patrol, Rag Pickings Released: 1911 Category: Pop Size FLAC: 1131 mb Size MP3: 1559 mb Size WMA: 1305 mb Other formats: VOC RA ADX AAC DMF MOD WMA. Download FLAC. William H. Reitz 1911. Read more. Patrol Written-By Harrie. B Fred Van Eps. Rag Pickings Banjo, Arranged By Fred Van Eps. Companies, etc. Record Company Victor Talking Machine Co. Fred Van Eps - Banjo Frolic Rag Pickings, 2011 02:47. Written-By Harrie A. PeckXylophone William H. Fred Van Eps. Rag Pickings. Genre: Pop Album: U. Patrol, Rag Pickings Country: US Released: 1911 MP3 version RAR size: 1368 mb FLAC version RAR size: 1429 mb WMA version RAR size: 1618 mb Rating: 4. 5 Votes: 927 Other Formats: VQF AC3 MMF MP1 ASF AAC AIFF. Album: U. Patrol, Rag Pickings. Size MP3 rar: 1789 mb Size APEFLAC rar: 1342 mb. Label: Victor 16934 Type: Shellac, 10, 78 RPM Country: US Date of released: Oct 1911 Category: Pop Style. Banjo, Arranged By Fred Van Eps. Artist: Fred Van Eps, Song: Rag Pickings, Duration: 2:44, File type: mp3. VA Fred Van Eps - Medley Of Southern Melodies. download 2:10. Fred Van Eps Red Pepper Rag. download 1:20. Fred Van Eps Ragtime Oriole J. Patrol - William H. The recording on the other side of this disc: Rag Pickings. Technical Notes: Acoustic. IA1501307. 78 usa-patrol william-h-reitz-peck gbia0017574a. Run time. Internet Archive Python library . Publication date. 78 rpm. Related Music Beta question-dark. Versions - Different performances of the song by the same artist. Compilations - Other albums which feature this performance of the song. 1911-USA-Archives-1911-00-00-Fred-Van-Eps-Rag-Pickings. plus-circle Add Review. Be the first one to write a review. Listen to Rag Pickings from Fred Van Eps's Rag Pickings for free, and see the artwork, lyrics and similar artists. The Van Eps Recording Banjo was a well-known model until 1930. Van Eps was born in Somerville, New Jersey and moved with his family to Plainfield, New Jersey in 1892. He learned to play the banjo and studied the phonograph cylinder recordings of Vess Ossman. In 1897 Van Eps was hired by Thomas Edison's National Phonograph Company in West Orange, New Jersey, working as a regular in studio engagements. Van Eps cylinder recordings, often remakes of Ossman tunes, sold well for Edi read more. Fred Van Eps December 30, 1878 November 22, 1960 was an American banjoist and banjo maker. He was the father of jazz guitarist George Van Eps. Van Eps was born in Somerville, New Jersey, United States, and moved with his family to Plainfield in 1892. In 1897 Van Eps was hired by Thomas Edison's National Phonograph Company in West Orange to. Fred Van Eps: Arranger, and Banjo Fred Van Eps: Instrumentalist. APA citation style: Fred Van Eps: Arranger & Fred Van Eps: Instrumentalist, B. 1911 Rag Pickings. Retrieved from the Library of Congress, MLA citation style. Retrieved from the Library of Congress, More Audio Recordings like this. Audio Recording. The infanta march The infanta march Fred Van Eps, performing. Victor 16847. MatrixTake: B-98793. In the 30 years Van Eps had already been recording, he had managed to produce hundreds of individual titles that may well number over a thousand issues. According to Heier and Lotz's The Banjo on Record: A Bio-Discography, the instrument was falling out of favor with the general public and he eventually could no longer earn a living as a musician. In the 1950s he attempted a recording comback