MP3 2442 mb.
Performer: The National
Title: Alligator
Country: US
Catalog Number: BBQ 241
Label: Beggars Banquet
Released: 12 Apr 2005
Style: Indie Rock, Alternative Rock
Rating: 4.7
Votes: 768
| 1 | Daughters of the Soho Riots |
| 2 | Baby, We'll Be Fine |
| 3 | Mr. November |
| 4 | Looking for Astronauts |
| 5 | Secret Meeting |
| 6 | Karen |
| 7 | Lit Up |
| 8 | Geese of Beverly Road |
| 9 | Val Jester |
| 10 | All the Wine |
| 11 | City Middle |
| 12 | Friend of Mine |
| 13 | Abel |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| BBQCD 241 | The National | Alligator (CD, Album) | Beggars Banquet | BBQCD 241 | UK | 2005 |
| none | The National | Alligator (CDr, Album, Promo) | Playground Music Scandinavia | none | Denmark | 2005 |
| BBQCD 241, On CD back, BGJ-19214, On OBI | The National | Alligator (CD, Album) | Beggars Banquet, 4AD | BBQCD 241, On CD back, BGJ-19214, On OBI | Japan | 2010 |
| BBQCD 241 | The National | Alligator (CD, Album, w/o) | Beggars Banquet, Soyuz Music | BBQCD 241 | Russia | 2005 |
| BBQLP 241 | The National | Alligator (LP, Album, RE, Lim) | Beggars Banquet | BBQLP 241 | UK, Europe & US | 2011 |
Recorded at Drummreman Studios, Jess and Ole's House and Headgear Studios.
Additional recording and production at Tarquin Studios.
Mastered at Sterling Sound.
℗©2005 Beggars Banquet Records Ltd.
Alligator is the third studio album by American indie rock band The National, released on April 12, 2005 on Beggars Banquet. Recorded and produced by Peter Katis and Paul Mahajan, the album brought The National critical acclaim and increased their fanbase significantly. Alligator appeared on many year-end top 10 lists, including Uncut and Planet Sound, both of which ranked it as the number two album of 2005. Pitchfork ranked Alligator at number 40 in their top albums of the 2000s list. Alligator has. Alligator - The National. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Alligator is the third album by Brooklyn-based indie rock band The National, released in April 2005. The album brought The National critical acclaim and led them to headline a tour, with opening act Clap Your Hands Say Yeah. The album was on many year-end top 10 lists, including Uncut and Planet Sound, both of which ranked it as the number two album of 2005. Pitchfork Media and NME ranked Alligator as a top album of the 2000s. Pitchfork Media ranked Alligator at number 40 in their top albums of the 2000s list. Alligator has sold over 200,000 copies worldwide. The band performed album track The Geese of Beverly. Album 2005 13 Songs. More by The National. Boxer Bonus Track Version. Never Tear Us Apart - Single. Juicy Sonic Magic, Live in Berkeley, September 24-25, 2018. The National. Sad Songs for Dirty Lovers. Cherry Tree. I Am Easy to Find. Featured On. Dad Rock Essentials. Genre: Indie Rock. There is nothing pretentious about the way Alligator reveals itself, nothing overbearing or confusing it just slides by, always laughably good. Full Review. Best of 2005. Worst of 2005. The National - Alligator 2005. To favorites 5 Download album. Listen album. Indie Rock. The National Alligator Live Album Compiled from a variety of live sources, cross-faded to give the impression of a continuous performance. The National may sound like a garage band turned down, but there's as much primal energy lurking behind Alligator as in any mop-topped group of city kids with bloodstained Danelectros in a dusty warehouse. The National - Alligator review: The very definition of understated, The National's 2005 masterpiece is melancholic indie-rock at its absolute finest, and remains touching and powerful years on. It sounds extremely strange, but it's sometimes easy to forget that Alligator is a perfect album. Understated even at its loudest points, there's something about The National's second studio album that lends itself to immersion. Matt Berninger's baritone, world-weary tone lulls you into a safe place full of slow-burning hooks, black-and-white pianos and unassuming rhythms, and it's a world that, for all its unique facets, feels familiar and warm