MP3 1845 mb.
Performer: Stravinsky / Berliner Philharmoniker, Bernard Haitink
Title: The Firebird • Scherzo À La Russe
Country: Europe
Catalog Number: 426 317-2
Label: Philips Digital Classics
Released: 1991
Rating: 4.0
Votes: 647
| 1 | Apparition De L'Oiseau De Feu Poursuivi Par Ivan Tsarévitch | 2:21 |
| 2 | Scherzo À La Russe Pour Orchestre De Jazz / Version For Symphony Orchestra • Symphonische Fassung • Version Pour Orchestre SymphoniqueComposed By – Igor Stravinsky | 3:38 |
| 3 | Capture De L'Oiseau De Feu | 1:10 |
| 4 | Introduction | 2:43 |
| 5 | Supplications De L'Oiseau De Feu | 8:39 |
| 6 | Danse De L'Oiseau De Feu | 1:24 |
| 7 | Ronde Des Princesses (Corovod) | 4:46 |
| 8 | Jeu Des Princesses Avec Les Pommes D'or | 2:33 |
| 9 | Le Jardin Enchanté De Kastchei | 1:43 |
| 10 | Lever Du Jour | 1:30 |
| 11 | Disparition De Palais Et Des Sortilèges, Animation Des Chevaliers Pétrifiés, Allégresse Générale | 3:01 |
| 12 | Berceuse (L'Oiseau De Feu) | 5:38 |
| 13 | Brusque Apparition D'Ivan Tsarévitch | 1:16 |
| 14 | Carillon Féérique, Apparition Des Monstres-Gardiens De Kastchei Et Capture D'Ivan Tsarévitch | 5:20 |
| 15 | Danse De La Suite De Kastchei Enchantée Par L'Oiseau De Feu | 0:53 |
| 16 | L'Oiseau De Feu / The Firebird • Der FeuervogelComposed By – Igor Stravinsky | |
| 17 | Danse Infernale De Tous Les Sujets De Kastchei | 4:35 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 426 317-2 | Stravinsky, Berliner Philharmoniker, Bernard Haitink | Stravinsky, Berliner Philharmoniker, Bernard Haitink - The Firebird / Scherzo À La Russe (CD, Album) | Philips Digital Classics | 426 317-2 | US | 1991 |
Recorded: Philharmonie, Berlin, 7-10/1989
Publishing: B. Schott's Söhne
On disc:
DIGITAL RECORDING
℗ 1991
On traycard:
℗ 1991 Philips Classics Productions
© 1991 Philips Classics Productions
Printed in Germany. Imprimé en Allemagne. Made in Germany.
Stravinsky: The Firebird Scherzo à la russe - Bernard Haitink, Berlin Philharmonic Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1991 CD от The Firebird , Scherzo À La Russe на Philharmoniker, Bernard Haitink -Stravinsky: Scherzo à la Russe. Мы в соцсетях: Больше альбомов этого артиста. Beethoven: Complete Concertos Vol. 1 - Piano Concertos Nos. 1 - 4 etc. Bernard Haitink, Sir Colin Davis, Arthur Grumiaux, Royal Concertgebouw Orchestra, BBC Symphony Orchestra, Stephen Kovacevich. Artist: Berliner Philharmoniker, Bernard Haitink, Song: Scherzo à la Russe, Duration: 3:45, File type: mp3. Berliner Philharmoniker, Bernard Haitink Mahler: Symphony No. 4 in G - 2. In gemächlicher Bewegung. Ohne Hast. download 8:00. 2 in C minor - Resurrection - 5b. Sehr zurückhaltend - Wieder zurückhaltend. Berlin Philharmonic Orchestra, Bernard Haitink. Stravinsky: The Firebird Scherzo a la Russe. Your Rating. Bernard Haitink conductor from 1989-07 until 1989-10. phonographic copyright by: Philips Classics Productions not for release label use-classical music division of Polygram, reorganized as Philips Music Group in 1997 in 1991. recorded at: Berliner Philharmonie in Berlin, Germany from 1989-07 until 1989-10. recording of: LOiseau de feu: no. 1: Introduction from 1989-07 until 1989-10. composer: Игорь Фёдорович Стравинский Russian composer Igor Stravinsky in 1910. Provided to YouTube by Universal Music Group Stravinsky: Scherzo à la Russe Berliner Philharmoniker Bernard Haitink Stravinsky: The from The Firebird: The Firebird and Its Dance - Leopold Stokowski, Berliner Philharmoniker, Igor Stravinsky. Scherzo à la russe is a composition by Russian expatriate composer Igor Stravinsky. It was initially published by Chappell & Co. in 1945 and premiered in March 1946 by the San Francisco Symphony Orchestra, conducted by the composer himself. It was later published by Boosey & Hawkes. Stravinsky had been going through economical problems since he moved to America, partially because he lost the royalties from his works in Europe and had to compose more works to exploit them in America. The Scherzo à la