Steve Reich - Music For 18 Musicians mp3

Tracklist

Versions

Credits

• Cello – Jeanne LeBlanc
• Clarinet, Bass Clarinet – Evan Ziporyn, Leslie Scott
• Composed By – Steve Reich
• Engineer – John Kilgore
• Engineer [Assistant] – Chris Hilt, Glen Marchese
• Executive-producer – Robert Hurwitz
• Maracas, Marimba – Philip Bush, Thad Wheeler
• Mixed By [Assistant] – Greg Thompson, Tony Black
• Piano – Edmund Niemann, Nurit Tilles
• Piano, Alto Vocals – Jay Clayton
• Piano, Marimba, Written-By – Steve Reich
• Piano, Vibraphone – James Preiss
• Piano, Xylophone, Marimba – Garry Kvistad
• Producer [Assistant] – Sidney Chen
• Producer [Assistant], Edited By [Assistant] – Jeanne Velonis
• Soprano Vocals – Cheryl Bensman Rowe, Marion Beckenstein, Rebecca Armstrong
• Violin – Elizabeth Lim
• Xylophone, Marimba – Bob Becker, Russell Hartenberger, Tim Ferchen

Notes

"This new recording is eleven minutes longer than the original [ECM Records]" Music For 18 Musicians revisited by K. Robert Schwarz. Recorded October 1996 at the Hit Factory New York City, the piece was originaly composed twenty years earlier in 1976.

This is the version of the release manufactured for BMG Direct Marketing, Inc., under license.

Video

Album

Формируйте собственную коллекцию записей. Performance of Music for 18 at Temple University in Philadelphia, PA on. Steve Reich - Different Trains Full Album - Продолжительность: 1:05:02. Sextet, by Steve Reich for 18 Musicians is a work of musical minimalism composed by Steve Reich during 19741976. Its world premiere was on April 24, 1976, at The Town Hall in New York City. Following this, a recording of the piece was released by ECM New Series in 1978. In his introduction to the score, Reich mentions that although the piece is named Music for 18 Musicians, it is not necessarily advisable to perform the piece with that few players due to the extensive doubling it requires. Альбом 1998 Песен: 14. Music for 18 Musicians is approximately 55 minutes long. The first sketches were made for it in May 1974 and it was completed in March 1976. Although its steady pulse and rhythmic energy relate to many of my earlier works, its instrumentation, structure and harmony are new. As to instrumentation, Music for 18 Musicians is new in the number and distribution of instruments: violin, cello, 2 clarinets doubling bass clarinet, 4 women's voices, 4 pianos, 3 marimbas, 2 xylophones and metallophone vibraphone with no motor. All instruments are acoustical. The use of electronics is limited to mi. If Steve Reich's Music for 18 Musicians is simply described in terms of its materials and organization - 11 chords followed by 11 pieces built on those chords - then it might seem utterly dry and monotonous. The actual music, though, is far from lackluster. When this recording was released in 1978, the impact on the new music scene was immediate and overwhelming. Anyone who saw potential in minimalism and had hoped for a major breakthrough piece found it here. Neoclassical Avant-Garde. Steve Reich. Songs in album Steve Reich - Music For 18 Musicians 2007. Steve Reich - Pulses. Steve Reich - Section I. Steve Reich - Section II. Steve Reich - Section IIIA. Steve Reich - Section IIIB. Steve Reich - Section IV. Steve Reich - Section V. Steve Reich - Section VI. Music For 18 Musicians is ranked 559th in the overall chart, 132nd in the 1970s, and 10th in the year 1978. This album is rated in the top 1 of all albums on . Exclusive discount for Prime members. Song Title. Had this album for several years. It's a great introduction to minimal music, and surprises people sometimes with how easy it is to listen to. Pattern, repetition, and slow variation. When Erik Hall undertook his painstaking reconstruction of Steve Reichs 1976 masterpiece of minimalism, Music for Eighteen Musicians , it was as much an exercise in modesty as ambition. With its repetitions and complex constructions, the piece makes great demands on stamina and concentration, and Reich himself advised that these challenges meant it should probably be performed with more than eighteen musicians. Hall, however, recorded every part himself in his small home studio, playing instruments he had on hand, in live, single takes. Here, then is the ambition