MP3 1232 mb.Sir Georg Solti - The Art Of Sir Georg Solti mp3
Performer: Sir Georg Solti
Title: The Art Of Sir Georg Solti
Country: Italy
Catalog Number: 0289 480 7238 5, 480 7238
Label: Decca
Released: 23 Mar 2013
Style: Romantic, Classical, Modern
Rating: 4.4
Votes: 733
Tracklist
| 1 | I Einleitung | 1:39 |
| 2 | IV Wie Lieblich Sind Deine Wohnungen | 5:49 |
| 3 | I Molto Moderato | 7:05 |
| 4 | Part I: Veni, Creator Spiritus | 1:26 |
| 5 | Deuxième Donne = Second Deal: I Musique D'Introduction = Introduction (Alla Breve) - II Marche = March (Tempo Di Marcia) - III Variation Des Quatre Reines = Variations For The Four Queens (Allegretto) - IV Variation Du Valet De Cœur = Variation Of The Jack Of Hearts (Sostenuto E Pesante) - V Coda (Più Mosso) - VI Reprise De La Marche D'Ensemble = Reprise Of The March And Danse D'Ensemble (Marcia) | 8:56 |
| 6 | Johannes Brahms | |
| 7 | Cantata Profana, BB100/Sz94Baritone Vocals – Alexandru AgacheChoir – Choir Of Hungarian Radio & TVChorus Master – Kálmán StrauszComposed By – Béla BartókOrchestra – Budapest Festival OrchestraTenor Vocals – Tamás DaróczyText By [Trans.] – BartókText By [Words From Folk Song] – Traditional | |
| 8 | Ein Deutsches Requiem, Op.45Baritone Vocals – Bernd WeiklChorus – Chicago Symphony Orchestra ChorusChorus Master – Margaret HillisComposed By – Johannes BrahmsOrchestra – Chicago Symphony OrchestraSoprano Vocals – Kiri Te Kanawa | |
| 9 | II Andante Con Moto | 11:35 |
| 10 | William Turner Walton | |
| 11 | II Allegro Molto | 2:15 |
| 12 | Part II: Uns Bleibt Ein Erdenrest - Hier Ist Die Aussicht Frei (Die Vollendeteren Engel - Die Jüngeren Engel) | 2:59 |
| 13 | IV (W.M.B.) | 0:31 |
| 14 | Canon | 4:35 |
| 15 | IV Allegro Ma Non Troppo | 6:57 |
| 16 | XI (G.R.S.) | 1:00 |
| 17 | Franz Liszt | |
| 18 | I (C.A.E.) | 1:45 |
| 19 | VI Denn Wir Haben Hie Keine Bleibende Statt | 10:54 |
| 20 | I Moderato - Allegro Non Troppo | 15:26 |
| 21 | III Adagio Molto Cantabile | 19:59 |
| 22 | IV Finale: Feierlich, Nicht Schnell | 21:24 |
| 23 | Part I: Veni, Creator Spiritus | 3:49 |
| 24 | V Agnus Dei: Agnus Dei, Qui Tollis Peccata Mundi | 6:35 |
| 25 | III Adagio: Feierlich Langsam, Doch Nicht Schleppend | 25:13 |
| 26 | II Gloria: Qui Tollis Peccata Mundi | 5:56 |
| 27 | Then Sing Aloud To God Our Strength | 4:15 |
| 28 | II Gloria: Quoniam Tu Solus Sanctus | 6:22 |
| 29 | I Kyrie | 9:12 |
| 30 | Dies Irae (Sequenz) | 1:29 |
| 31 | Hector Berlioz | |
| 32 | III Credo: Credo In Unum Deum | 4:06 |
| 33 | IV Allegro Non Troppo | 10:05 |
| 34 | III Von Der Großen Sehnsucht | 1:57 |
| 35 | Communio | 6:15 |
| 36 | IV Allegro Molto | 5:05 |
| 37 | Ouverture Les Francs-JugesComposed By – Hector BerliozOrchestra – Chicago Symphony Orchestra | 11:44 |
| 38 | II Andante | 7:37 |
| 39 | IV Sanctus: Benedictus Qui Venit | 10:17 |
| 40 | Till Eulenspiegels Lustige Streiche, Nach Alter Schelmenweise - In Rondoform, Op.28Composed By – Richard StraussOrchestra – Berliner Philharmoniker | 15:17 |
| 41 | VI Der Genesende | 4:48 |
| 42 | I Allegro Vivace | 8:22 |
| 43 | I Adagio - Allegro Vivace | 11:37 |
| 44 | III Largo | 12:24 |
| 45 | Symphony No.5 In D Minor, Op.47Composed By – Dmitri ShostakovichOrchestra – Wiener Philharmoniker | |
| 46 | Symphony No.9 In C Major Great, D944Composed By – Franz SchubertOrchestra – Wiener Philharmoniker | |
| 47 | March No. 5 In C Major | 5:49 |
| 48 | I Faust | 28:13 |
| 49 | Sanctus | 1:27 |
| 50 | III Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro | 5:44 |
| 51 | Thus In Babylon, The Mighty City | 3:03 |
| 52 | Recordate (Sequenz) | 4:59 |
| 53 | Symphony No.41 In C Major, K551 JupiterComposed By – Wolfgang Amadeus MozartOrchestra – Chamber Orchestra Of Europe | |
| 54 | Pater Noster - Ecce Agnus | 2:52 |
| 55 | IV Allegro Vivace | 16:03 |
| 56 | Tableau III: Le Maure Et La Ballerine = The Blackmoor And The Ballerina: I Le Cellule Du Maure = The Moor's Room - II Danse De La Ballerine = Entrance Of The Ballerina - III Walse = Valtz | 6:41 |
| 57 | Hostias (Offertorium) | 3:32 |
| 58 | Liebestod | 7:23 |
| 59 | III Elegia | 6:29 |
| 60 | Symphony No.5 In C Minor, Op.67Composed By – Ludwig van BeethovenOrchestra – Chicago Symphony Orchestra | |
| 61 | Also Sprach ZarathustraComposed By – Richard StraussOrchestra – Berliner Philharmoniker | |
| 62 | II Andante Cantabile | 5:32 |
| 63 | II Gretchen | 23:05 |
| 64 | III Allegro | 5:31 |
| 65 | Prayer Over The Giifts (Offertorium) | 0:50 |
| 66 | III Scherzo: Allegro Vivace | 10:02 |
| 67 | Part II: Höchste Herrscherin Der Welt - Dir, Der Unberührbaren (Doctor Marianus, Chor) | 8:08 |
| 68 | Troisième Donne = Third Deal: I Musique D'Introduction = Introduction (Alla Breve) - II Valse = Waltz - III Presto (Combat Des Picques Et Des Cœurs = Battle Between The Spades And Hearts) - IV Danse Finale (Triomphe Des Cœurs) = Final Dance (Triumph Of Hearts) | 8:01 |
| 69 | Part I: Infirma Nostri Corporis | 6:20 |
| 70 | Tristan Und IsoldeComposed By – Richard WagnerOrchestra – Chicago Symphony Orchestra | |
| 71 | Tableau II: Le Cellule De Petrouchka = Petrushka's Room | 4:17 |
| 72 | V Finale: Vivace | 3:43 |
| 73 | A Faust Symphony In Three Character PortraitsChorus – Chicago Symphony Orchestra ChorusChorus Master – Margaret HillisComposed By – Franz LisztOrchestra – Chicago Symphony OrchestraTenor Vocals – Siegfried JerusalemText By [After] – Goethe | |
| 74 | Symphony No.104 In D Major LondonComposed By – Joseph HaydnOrchestra – London Philharmonic Orchestra | |
| 75 | Leó Weiner | |
| 76 | III Menuetto & Trio: Allegretto | 5:22 |
| 77 | Igor Stravinsky | |
| 78 | Psalmus Hungaricus, Op. 13Choir – Choir Of Hungarian Radio & TV, Schola Cantorum BudapestiensisChoir [Choir Of Hungarian Radio & TV] – Children's Choir Of Hungarian Radio & TVChorus Master – Kálmán StrauszChorus Master [Children's Choir Of Hungarian Radio & TV] – Gabriella ThészChorus Master [Schola Cantorum Budapestiensis] – Tamás BubnóComposed By – Zoltán KodályOrchestra – Budapest Festival OrchestraTenor Vocals – Tamás DaróczyText By – Mihály Vég | |
| 79 | Prelude | 11:50 |
| 80 | Pictures At An Exhibition: Promenade - Gnomus - Promenade - Il Vecchio Castello - Promenade - Tuileries - Bydlo - Promenade - Ballet Des Poussins Dans Leurs Coques - Samuel Goldenberg Und Schmuyle - Limoges - Le Marché - Catacombae - Cum Mortus In Lingua Mortua - La Cabane Sur Des Pattes De Poule - La Grande Porte De KievComposed By – Modest MussorgskyOrchestra – Chicago Symphony OrchestraOrchestrated By – Maurice Ravel | 33:32 |
| 81 | Introitus | 5:23 |
| 82 | VI Finale | 3:50 |
| 83 | II Von Den Hinterweltlern | 3:25 |
| 84 | IV Allegro Assai | 4:59 |
| 85 | March No. 1 In D Major | 6:32 |
| 86 | IV Allegro | 11:34 |
| 87 | III Herr, Lehre Doch Mich | 10:29 |
| 88 | Kyrie | 2:28 |
| 89 | IV Sanctus: Sanctus, Sanctus, Sanctus | 5:17 |
| 90 | I Adagio - Allegro | 8:43 |
| 91 | IX Nachtwandlerlied | 4:15 |
| 92 | Part II: Neige, Neige, Du Ohnegleiche (Una Poenitentium (Gretchen)) | 5:18 |
| 93 | Wolfgang Amadeus Mozart | |
| 94 | I Moderato | 3:32 |
| 95 | II Danses Caractéristiques: Danse Chinoise | 1:14 |
| 96 | II Danses Caractéristiques: Danse Des Mirlitons = Dance Of The Reed Pipes | 2:40 |
| 97 | VIII (W.N.) | 1:40 |
| 98 | Part I: Gloria Patri Domino | 2:25 |
| 99 | Missa Solemnis, Op. 123Bass Vocals – René PapeChorus – Rundfunkchor BerlinChorus Master – Robin GrittonComposed By – Ludwig van BeethovenMezzo-soprano Vocals – Iris VermillionOrchestra – Berliner PhilharmonikerSoprano Vocals – Julia VaradyTenor Vocals – Vinson ColeViolin [Solo] – Kolja Blacher | |
| 100 | V (R.P.A.) | 1:54 |
| 101 | Overtures & Preludes | |
| 102 | II Kräftig Bewegt, Doch Nicht Zu Schnell | 7:44 |
| 103 | III Moderato | 2:49 |
| 104 | III Credo: Et Incarnatus Est | 5:30 |
| 105 | IV Presto - Allegro Assai - Anbdante Maestoso - Allegro Energico, Sempre Ben Marcato | 24:41 |
| 106 | II Venus | 8:20 |
| 107 | III Valse Des Fleurs = Waltz Of The Flowers | 7:04 |
| 108 | IV Allegro Energico E Passionato | 10:18 |
| 109 | XIII (): Romanza | 2:39 |
| 110 | I Allegretto, Quasi Andantino | 5:51 |
| 111 | VII (Troyte) | 1:00 |
| 112 | I Allegro Ma Non Troppo, Un Poco Maestoso | 18:11 |
| 113 | III Credo: Et Resurreit Tertia Die | 9:31 |
| 114 | Confutatis (Sequenz) | 2:20 |
| 115 | Part II: Poco Adagio - Waldung, Sie Schwankt (Chor Und Echo) | 14:16 |
| 116 | Tube Minum (Sequenz) | 3:02 |
| 117 | Felix Mendelssohn | |
| 118 | Adagio | 7:44 |
| 119 | II Gloria: Gloria In Excelsis Deo | 5:12 |
| 120 | Première Donne = First Deal: I Musique D'Introduction = Introduction (Alla Breve) - II Pas D'Action (Meno Mosso) - III Danse Du Joker = Dance Of The Joker (Stringendo) - IV Petite Valse = Little Waltz (Tranquillo) | 5:30 |
| 121 | Pomp And CircumstanceComposed By – Edward ElgarOrchestra – London Philharmonic Orchestra | |
| 122 | II Andante Moderato | 12:53 |
| 123 | Jeu De Cartes: Ballet En Trois Donnes = Ballet In Three DealsComposed By – Igor StravinskyOrchestra – Chicago Symphony Orchestra | |
| 124 | V Ihr Habt Nun Traurigkeit | 8:20 |
| 125 | IV Molto Tranquillo | 2:37 |
| 126 | Anton Bruckner | |
| 127 | Symphony No.4 In E Minor, Op.98Composed By – Johannes BrahmsOrchestra – Chicago Symphony Orchestra | |
| 128 | Part II: Blicket Auf Zum Retterblick (Doctor Marianus, Chor) | 4:47 |
| 129 | II Allegretto | 5:16 |
| 130 | Franz Schubert | |
| 131 | V Songe D'Une Nuit De Sabbat | 10:06 |
| 132 | Pyotr Ilyich Tchaikovsky | |
| 133 | III Menuetto & Trio: Allegretto | 4:48 |
| 134 | I Allegro Moderato | 15:25 |
| 135 | V Comodo | 0:59 |
| 136 | IX (Nimrod) | 3:08 |
| 137 | Andante | 1:37 |
| 138 | Agnus Dei | 2:39 |
| 139 | Tannhäuser: OvertureComposed By – Richard WagnerOrchestra – Chicago Symphony Orchestra | 14:52 |
| 140 | VII Selig Sind Die Toten | 14:22 |
| 141 | VI (Ysobel) | 1:20 |
| 142 | I Rêveries, Passions | 15:24 |
| 143 | I Andante - Allegro Ma Non Troppo | 14:00 |
| 144 | I Langsam, Schleppend - Wie Ein Naturlaut | 15:45 |
| 145 | III Mephistopheles & Final Chorus | 22:58 |
| 146 | IV Saltarello: Presto | 5:39 |
| 147 | Tableau I: Fête Populaire De La Seimane Grasse = The Shrovetide Fair: I La Foule = The Crowds - II La Magie Du Charlatan = The Showman's Booth - III Danse Russe = Russian Dance | 10:02 |
| 148 | If I Forget Thee | 5:45 |
| 149 | Symphony No.1 In D MajorComposed By – Gustav MahlerOrchestra – Chicago Symphony Orchestra | |
| 150 | Symphony No.4 In B Flat Major, Op.60Composed By – Ludwig van BeethovenOrchestra – Chicago Symphony Orchestra | |
| 151 | III (R.B.T.) | 1:21 |
| 152 | VI Uranus | 5:32 |
| 153 | XII (B.G.N.) | 2:46 |
| 154 | Concerto For OrchestraComposed By – Béla BartókOrchestra – London Symphony Orchestra | |
| 155 | II Denn Alles Fleisch, Es Ist Wie Gras | 15:07 |
| 156 | Edward Elgar | |
| 157 | II Danses Caractéristiques: Danse Arabe | 3:37 |
| 158 | III Con Moto Moderato | 6:33 |
| 159 | Coronation Te DeumChoir – The Choir Of Chichester Cathedral, The Choir Of Salisbury Cathedral, London Philharmonic Choir, The Choir Of Winchester CathedralChorus Master [London Philharmonic Choir] – John AlldisChorus Master [The Choir Of Chichester Cathedral] – Martin Neary Chorus Master [The Choir Of Salisbury Cathedral] – Richard SealChorus Master [The Choir Of Winchester Cathedral] – John BirchComposed By – William Turner WaltonOrchestra – London Philharmonic OrchestraOrgan – Ralph Downes | 10:54 |
| 160 | Die Meistersinger Von Nürnberg: PreludeComposed By – Richard WagnerOrchestra – Chicago Symphony Orchestra | 9:41 |
| 161 | Andante Molto Appassionato | 7:32 |
| 162 | Serenade For Small Orchestra, Op. 3Composed By – Leó WeinerOrchestra – Budapest Festival Orchestra | |
| 163 | Suite "Casse-Noisette", Op.71a - The Nutcracker SuiteComposed By – Pyotr Ilyich TchaikovskyOrchestra – Chicago Symphony Orchestra | |
| 164 | Lacrimosa (Sequenz) | 3:14 |
| 165 | I Allegro Non Troppo | 12:41 |
| 166 | III Scène Aux Champs | 16:31 |
| 167 | Part I: Accende Lumen Sensibus | 4:44 |
| 168 | II Scherzo: Allegro Moderato | 14:48 |
| 169 | IV Finale: Spiritoso | 6:48 |
| 170 | III Allegro Giocoso | 6:13 |
| 171 | Praise Ye The God Of Gold | 4:45 |
| 172 | IV Jupiter | 7:15 |
| 173 | II Adagio | 10:15 |
| 174 | IV Intermezzo Interotto | 4:13 |
| 175 | II Presentando Le Coppie | 6:46 |
| 176 | Symphony No.8 In E Flat Major Symphony Of A ThousandBaritone Vocals [Pater Ecstaticus] – John Shirley-QuirkBass Vocals [Pater Profundus] – Martti TalvelaChorus – Wiener Sängerknaben, Wiener Singverein, Wiener StaatsopernchorChorus Master [Wiener Singverein] – Helmuth FroschauerChorus Master [Wiener Sängerknaben] – Norbert BalatschComposed By – Gustav MahlerConcertmaster – Victor AitayConcertmistress – Sydney WeissContralto Vocals [Contralto I - Mulier Samaritana] – Yvonne MintonContralto Vocals [Contralto II - Maria Aegyptiaca] – Helen WattsOrchestra – Chicago Symphony OrchestraSoprano Vocals [Soprano I - Magna Peccatrix] – Heather HarperSoprano Vocals [Soprano II - Una Poenitentium] – Lucia PoppSoprano Vocals [Soprano III - Mater Gloriosa] – Arleen AugerTenor Vocals [Doctor Marianus] – René Kollo | |
| 177 | I Selig Sind, Die Da Leid Tragen | 12:19 |
| 178 | The Trumpeters And Pipers | 1:39 |
| 179 | VI Von Der Wissenschaft | 3:53 |
| 180 | And In That Same Hour | 2:08 |
| 181 | Boris Blacher | |
| 182 | Preface (Offertorium) | 0:59 |
| 183 | II Danses Caractéristiques: Danse De La Fée Dragée = Dance Of The Sugar Plum Fairy | 1:45 |
| 184 | II Andante Con Moto | 15:26 |
| 185 | Symphony No.95 In C MinorComposed By – Joseph HaydnOrchestra – London Philharmonic Orchestra | |
| 186 | IV Stürmisch Bewegt | 20:50 |
| 187 | III Mercury | 3:48 |
| 188 | Richard Strauss | |
| 189 | II Molto Vivace | 11:51 |
| 190 | II Andante Con Moto | 5:24 |
| 191 | I Allegro Moderato | 6:41 |
| 192 | I Mars | 6:39 |
| 193 | III Menuet: Allegro | 5:22 |
| 194 | V Agnus Dei: Dona Nobis Pacem | 9:07 |
| 195 | IV Von Den Freuden Und Leidenschaften | 2:15 |
| 196 | III Feierlich Und Gemessen, Ohne Zu Schleppen | 11:34 |
| 197 | V Das Grablied | 2:14 |
| 198 | X (Dorabella): Intermezzo | 2:35 |
| 199 | XIV (E.D.U.) - Finale | 5:03 |
| 200 | VII NeptuneChoir – Ladies Of The London Philharmonic ChoirChorus Master – John Alldis | 7:56 |
| 201 | Joseph Haydn | |
| 202 | Domine Jesu (Offertorium) | 3:47 |
| 203 | Gustav Holst | |
| 204 | Siegfrie IdyllComposed By – Richard WagnerOrchestra – Wiener Philharmoniker | 18:30 |
| 205 | VIII Das Tanzlied | 7:57 |
| 206 | Then Sing Aloud To God Our Strength | 4:25 |
| 207 | Benedictus | 4:28 |
| 208 | Belshazzar's FeastBaritone Vocals – Benjamin LuxonChoir – London Philharmonic ChoirChorus Master – John AlldisComposed By – William Turner WaltonOrchestra – London Philharmonic Orchestra | |
| 209 | Part II: Gerettet Ist Das Edle Glied (Engel) | 3:03 |
| 210 | Tableau IV: Fête Populaire De La Seimane Grasse (Vers Le Soir) = The Shrovetide Fair (Towards Evening): I Danse Des Nourrices = Wet-Nurses Dance - II Le Montreur D'Ours Avec Sa Bête = Peasant With Bear - III Les Tziganes Et Le Marchand Fêtard = Gypsies And A Rake Vendor - IV Danse Des Cochers = Dance Of The Coachmen - V Apparition Des Masques = The Masqueraders - VI La Mort De Petrouchka = Petrushka's Death | 13:49 |
| 211 | Symphony No.9 In D Minor, Op.125Bass Vocals – Hans SotinChorus – Chicago Symphony Orchestra ChorusChorus Master – Margaret HillisComposed By – Ludwig van BeethovenContralto Vocals – Reinhild RunkelOrchestra – Chicago Symphony OrchestraSoprano Vocals – Jessye NormanTenor Vocals – Robert Schunk | |
| 212 | Rex Tremendae (Sequenz) | 1:56 |
| 213 | IV Molto Allegro | 6:27 |
| 214 | March No. 4 In G Major | 4:49 |
| 215 | Maurice Ravel | |
| 216 | II Andante | 7:55 |
| 217 | Enigma Variations, Op.36Composed By – Edward ElgarOrchestra – Wiener Philharmoniker | |
| 218 | Der Fliegende Holländer: OvertureComposed By – Richard WagnerOrchestra – Chicago Symphony Orchestra | 11:05 |
| 219 | Symphony No.4 In A Major, Op.90 ItalianComposed By – Felix Mendelssohn-BartholdyOrchestra – Wiener Philharmoniker | |
| 220 | Part II: Ewiger Wonnebrand (Pater Ecstaticus) | 1:35 |
| 221 | Part II: Alles Vergängliche (Chorus Mysticus) | 6:42 |
| 222 | III Menuet | 5:18 |
| 223 | Le Tombeau De Couperin: I Prélude - Forlane - III Menuet - IV RigaudonComposed By – Maurice RavelOrchestra – Chicago Symphony Orchestra | 15:59 |
| 224 | Dance SuiteComposed By – Béla BartókOrchestra – London Symphony Orchestra | |
| 225 | Symphony No.40 In G Minor, K550Composed By – Wolfgang Amadeus MozartOrchestra – Chamber Orchestra Of Europe | |
| 226 | I Ouverture Miniature | 3:17 |
| 227 | Symphonie Fantastique, Op. 14 (Episode De La Vie d'Un Artiste)Composed By – Hector BerliozOrchestra – Chicago Symphony Orchestra | |
| 228 | III Allegro Vivace | 2:49 |
| 229 | Symphony No.8 In C Minor (1890 Version)Composed By – Anton BrucknerOrchestra – Wiener PhilharmonikerScore Editor [Edition] – Nowak | |
| 230 | Finale | 9:14 |
| 231 | The Miraculous Mandarin Suite, Op. 19Composed By – Béla BartókOrchestra – London Symphony Orchestra | 17:43 |
| 232 | Ludwig van Beethoven | |
| 233 | IV Marche Au Supplice | 4:54 |
| 234 | Dmitri Shostakovich | |
| 235 | II Lebhaft, Sehr Rhythmisch | 5:09 |
| 236 | Babylon Was A Great City | 1:17 |
| 237 | 'Keserűségem Annyi Nem Viona' | 5:54 |
| 238 | Variations On A Theme Of Paganini, Op.26Composed By – Boris BlacherComposed By [Theme] – PaganiniOrchestra – Wiener Philharmoniker | 14:14 |
| 239 | Part II: Bei Der Liebe, Die Den Füßen (Magna Peccatrix) | 4:57 |
| 240 | Part II: Wie Felsenabgrund Mir Zu Füßen (Pater Profundus) | 4:42 |
| 241 | Petrushka (Original Version, 1911): Burlesque In Four Scenes Composed By – Igor StravinskyOrchestra – Chicago Symphony Orchestra | |
| 242 | I Allegro Con Brio | 8:13 |
| 243 | The PlanetsComposed By – Gustav HolstOrchestra – London Philharmonic Orchestra | |
| 244 | Variations On A Hungarian Folksong The PeacockComposed By – Zoltán KodályComposed By [Folksong "The Peacock"] – TraditionalOrchestra – Wiener Philharmoniker | 24:05 |
| 245 | II Un Bal | 6:13 |
| 246 | In Babylon Belshazzar The King | 3:11 |
| 247 | Salome: Tanz Der Sieben Schleier, Op.54Composed By – Richard StraussOrchestra – Berliner Philharmoniker | 9:50 |
| 248 | I Molto Allegro | 8:20 |
| 249 | III Andantino | 3:48 |
| 250 | II (H.D.S-P.) | 0:45 |
| 251 | Requiem, K626 In D MinorBass Vocals – René PapeChorus – Konzertvereinigung Wiener StaatsopernchorChorus Master – Peter BurianComposed By – Wolfgang Amadeus MozartMezzo-soprano Vocals – Cecilia BartoliOrchestra – Wiener PhilharmonikerScore Editor [New Edition By] – H.C. Robbins LandonScore Editor [Version By] – F.J. Freystädtler, F.X. Süssmayr, J. EyblerSoprano Vocals – Arleen AugerTenor Vocals – Vinson Cole | |
| 252 | Modest Mussorgsky | |
| 253 | Béla Bartók | |
| 254 | Part I: Imple Superna Gratia | 4:26 |
| 255 | Zoltán Kodály | |
| 256 | Richard Wagner | |
| 257 | Thus Spake Isaiah | 6:03 |
| 258 | Gustav Mahler | |
| 259 | II Danses Caractéristiques: Danse Russe (Trepak) | 1:07 |
| 260 | II Andante Cantabile | 8:32 |
| 261 | I Allegro Vivace | 9:50 |
| 262 | II Danses Caractéristiques: Marche | 2:29 |
| 263 | V Saturn | 9:48 |
| 264 | I Introduzione | 9:16 |
| 265 | 1812 Overture, Op.49Composed By – Pyotr Ilyich TchaikovskyOrchestra – Chicago Symphony Orchestra | 14:54 |
| 266 | Romeo And Juliet - Fantasy OvertureComposed By – Pyotr Ilyich TchaikovskyOrchestra – Chicago Symphony Orchestra | 20:15 |
Credits
- Artwork By – Punto E Virgola
- Conductor – Riccardo Chailly
- Edited By – Finesplice (tracks: 2-1 to 2-10)
- Edited By [Recording Editor] – Deborah Gilbert (tracks: 3-1 to 3-11), Matthew Hutchinson (tracks: 10-1 to 10-17), Sally Drew (tracks: 21-1 to 22-7)
- Edited By [Tape Editor] – Alison Carter (tracks: 4-1 to 4-8), Caroline Loweth (tracks: 17-1 to 17-18), Sally Drew (tracks: 16-1 to 16-8)
- Engineer – Andrew Pinder (tracks: 12-1 to 12-7), Colin Moorfoot (tracks: 7-1 to 7-7), James Lock (tracks: 4-1 to 4-8, 6-6, 13-1 to 13-3, 18-1 to 19-2, 25-1 to 25-11), John Dunkerley (tracks: 12-8 to 12-10), John Pellowe (tracks: 5-1 to 5-4, 16-1 to 16-8, 17-1 to 17-18), Kenneth Wilkinson (tracks: 1-1 to 1-12, 6-1 to 6-5, 7-1 to 8-4, 12-1 to 12-10, 24-1 to 25-11)
- Engineer [Balance] – James Lock (tracks: 2-1 to 2-10, 21-1 to 21-11), John Pellowe (tracks: 10-1 to 10-17)
- Engineer [Location Engineer] – Graham Meek (tracks: 10-1 to 10-17), Krzysztof Jarosz (tracks: 2-1 to 2-10, 21-1 to 21-11)
- Engineer [Recording] – Colin Moorfoot (tracks: 11-1 to 11-8, 22-1 to 22-7), Gordon Parry (tracks: 9-1 to 9-4, 15-1 to 15-16, 20-1 to 20-4), James Lock (tracks: 14-1 to 14-4, 20-5, 22-1 to 22-7), John Pellowe (tracks: 3-1 to 3-11, 23-1 to 23-10), Kenneth Wilkinson (tracks: 15-1 to 15-16), Michael Mailes (tracks: 22-1 to 22-7), Neil Hutchinson (tracks: 3-1 to 3-11), Philip Siney (tracks: 3-1 to 3-11)
- Liner Notes – Rolando Zegna
- Management [Location Manager] – Thomas Gayda (tracks: 17-1 to 17-18)
- Photography By [Cover] – Terry O'Neill
- Producer – Chris Hazell (tracks: 2-1 to 2-10, 21-1 to 21-11), Christopher Pope (tracks: 3-1 to 3-11), Christopher Raeburn (tracks: 12-8 to 12-10, 17-1 to 18-8), David Harvey (tracks: 6-1 to 6-5, 15-1 to 15-16, 24-1 to 24-5), Erik Smith (tracks: 1-12), James Mallinson (tracks: 7-1 to 8-4, 12-1 to 12-10, 19-1, 19-2, 20-5, 25-1 to 25-11), John Culshaw (tracks: 1-1 to 1-11, 9-1 to 9-4, 20-1 to 20-4), Michael Haas (tracks: 4-1 to 5-4, 13-1 to 13-3, 16-1 to 16-8, 23-1 to 23-10), Michael Woolcock (tracks: 3-1 to 3-11, 10-1 to 10-17, 21-1 to 22-7), Paul Myers (tracks: 11-1 to 11-8), Ray Minshull (tracks: 6-6, 24-1 to 24-5)
- Producer [Recording] – James Mallinson (tracks: 14-1 to 14-4)
Notes
CD1:
ADD Recording: Kingsway Hall, London, December 1963 (Miraculous Mandarin), February/May 1965 (Concerto & Dance Suite).
Publishers: Boosey & Hawkes Music Publishers Ltd. (1-5); Universal Edition AG Vienna (6-11, 12).
(P) 1964, 1965 Decca Music Group Limited.
CD2:
DDD Recording: The Italian Institute, Budapest, 23-26 June 1997.
Publishers: Universal Edition E.G. Wien (Bartók, Kodály); Bote & Bock K.G., Berlin (Weiner).
(P) 1998 Decca Music Group Limited.
CD3:
DDD Recording: Philharmonie, Berlin, March 1994 (Live Concerts).
CD4:
DDD Recording: Medinah Temple, Chicago, October 1986 (No.5); Orchestra Hall, Chicago, September 1987 (No.4).
(P) 1988 Decca Music Group Limited.
CD5:
DDD Recording: Medinah Temple, Chicago, September, October 1986.
CD6:
ADD Recording: Krannert Center, University Of Illinois, May 1972 (Symphonie) & 1974 (Ouverture).
(P) 1972, 1974 Decca Music Group Limited.
CD7:
ADD Recording: Medinah Temple, Chicago, May 1978.
(P) 1979 Decca Music Group Limited.
CD8:
AAD Recording: Medinah Temple, Chicago, May 1978.
(P) 1978 Decca Music Group Limited.
CD9:
ADD Recording: Sofiensaal, Vienna, November, December 1966.
Publisher: Musikwissenschaftlicher Verlag.
(P) 1967 Decca Music Group Limited.
CD10:
DDD Recording: Recorded live at concerts in the Musikverein, Vienna, 19-22 April 1996.
Publishers: Boosey & Hawkes Music Publishers Ltd. (Kodaly); Bote & Bock KG (Blacher); Novello & Co. Ltd (Elgar).
(P) 1997 Decca Music Group Limited.
CD11:
DDD Recording; (P) 1986 Decca Music Group Limited.
CD12:
ADD Recording: Kingsway Hall, London, February 1978 (Holst), February, March 1977 (Elgar).
(P) 1977 (Elgar), 1979 (Holst) Decca Music Group Limited.
CD13:
DDD Recording; (P) 1986 Decca Music Group Limited.
CD14:
DDD Recording: Orchestra Hall, Chicago, October 1983.
(P) 1984 Universal Music Italia srl.
CD15:
ADD Recording: Sofiensaal, Vienna, August, September 1971.
(P) 1972 Decca Music Group Limited.
CD16:
DDD Recording: Live recording made at concerts in the Musikverein, Vienna, on 6 & 7 February 1993.
Publishers: Hans Sikorski Verlad (Shostakovich).
(P) 1994 Decca Music Group Limited.
CD17:
DDD Recording: Recorded live in St Stephen's Cathedral, Vienna, on 5 December 1991.
Tracks 12, 13, 15 & 16: Prayers said during the Requiem Massa held to commemorate the 200th anniversary of Mozart's death.
(P) 1992 Decca Music Group Ltd.
CD18:
DDD Recording: Alte Oper, Frankfurt, June 1984.
(P) 1985 Decca Music Group Ltd.
CD19:
DDD Recording; (P) 1988 Decca Music Group Ltd.
CD20:
DDD/ADD Recordings: Sofiensaal, Vienna, June 1981 (Schubert), November 1965 (Wagner).
(P) 1966 (Wagner), 1982 (Schubert) Decca Music Group Ltd.
CD21:
DDD Recording: Philharmonie Berlin, January 1966 (Live Concerts).
Publishers: C.F. Peters (Zarathustra, Till); Fürstner Editions (Salome).
(P) 1997 Decca Music Group Ltd.
CD22:
DDD Recording: Orchestra Hall, Chicago, Live concerts November 1993.
Publishers: B. Schott's Söhne (Jeu de cartes); Édition russe de musique (Petrushka).
(P) 1995 Decca Music Group Ltd.
CD23:
DDD Recording: Orchestra Hall. Chicago, January 1986.
(P) 1987 Decca Music Group Ltd.
CD24:
ADD Recording: Krannert Center, University of Illinois, May 1972 ; medinah Temple, Chicago, May 1976 , may 1977 (2, 4, 5).
(P) 1972, 1977, 1978 Decca Music Group Ltd.
CD25:
ADD recording: Kingsways hall, London, March 1977.
(P) 1977 Decca Music Group Ltd.
Universal Classics & Jazz
A division of Universal Music Italia srl
(P) and (C) 2013 Universal Music Italia srl.
Made in the E.U.
Cardboard box contains the CDs in separate, same artwork, wallets and a 28-page booklet in English and Italian.
Barcodes
- Barcode: 0 28948 07238 5
- Rights Society: S.I.A.E.
- SPARS Code: ADD / AAD / DDD
- Other (Category CD 1): 480 7261
- Other (Category CD 2): 480 7262
- Other (Category CD 3): 480 7263
- Other (Category CD 4): 480 7260
- Other (Category CD 5): 480 7259
- Other (Category CD 6): 480 7258
- Other (Category CD 7): 480 7257
- Other (Category CD 8): 480 7256
- Other (Category CD 9): 480 7255
- Other (Category CD 10): 480 7254
- Other (Category CD 11): 480 7253
- Other (Category CD 12): 480 7252
- Other (Category CD 13): 480 7251
- Other (Category CD 14): 480 7250
- Other (Category CD 15): 480 7249
- Other (Category CD 16): 480 7248
- Other (Category CD 17): 480 7247
- Other (Category CD 18): 480 7245
- Other (Category CD 19): 480 7246
- Other (Category CD 20): 480 7244
- Other (Category CD 21): 480 7243
- Other (Category CD 22): 480 7241
- Other (Category CD 23): 480 7242
- Other (Category CD 24): 480 7240
- Other (Category CD 25): 480 7239
Companies
- Phonographic Copyright (p) – Decca Music Group Limited
- Phonographic Copyright (p) – Universal Music Italia s.r.l.
- Copyright (c) – Universal Music Italia s.r.l.
- Record Company – Universal Classics & Jazz
- Recorded At – Kingsway Hall
- Recorded At – Italian Institute, Budapest
- Recorded At – Berliner Philharmonie
- Recorded At – Medinah Temple
- Recorded At – Orchestra Hall, Chicago
- Recorded At – Krannert Center For The Performing Arts
- Recorded At – Sofiensaal
- Recorded At – Wiener Musikverein
- Recorded At – St Stephen's Cathedral, Vienna
- Recorded At – Alte Oper
- Published By – Boosey & Hawkes Music Publishers Ltd
- Published By – Universal Edition
- Published By – Bote & Bock
- Published By – Musikwissenschaftlicher Verlag, Vienna
- Published By – Novello & Co. Ltd.
- Published By – Hans Sikorski Musikverlag
- Published By – C. F. Peters
- Published By – Fürstner
- Published By – Édition Russe De Musique
- Published By – B. Schott's Söhne
- Pressed By – EDC, Germany
Album
Sir Georg Solti, KBE ˈʃolti born György Stern 21 October 1912 5 September 1997 was a Hungarian-born British orchestral and operatic conductor, best known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo. Sir Georg Solti. See actions taken by the people who manage and post content. Page created 29 June 2012. Sir Simon Rattle. Herbert von Karajan. The Art of Sir Georg Solti. Decca 4807238. Listen to music from Sir Georg Solti like Dies irae, Die Walküre, WWV 86B, Act 3 : Hojotoho Hojotoho. Ride Of The Valkyries & more. Find the latest tracks, albums, and images from Sir Georg Solti. His first job as Music Director was with the Bavarian State Opera. Whilst in Germany soon after the war had ended in 1945, he met Richard Strauss whom he would only ever meet 3 times. The elderly Strauss became a massive influence for Solti later during his professional career. In 1952, Solti took over the Frankfurt Opera. It was with The Vienna Philharmonic Orchestra that he recorded Richard Wagner's The Ring. The actual recording took seven years to complete. Rehearsing and conducting the Overture to Tannhäuser by Richard Wagner with the Süddeutsche Rundfunk Symphony Orchestra Available Subtitles: have admired Georg Solti since the early 1960s when I first heard his 1959 recording of Das Rheingold with famous producer John Culshaw. The Art of Sir Georg Solti is a remarkable compilation of his work, but omitting some less weighty music that I know that he recorded. I missed those, but I enjoyed greatly what was presented. Some devout compositions like Beethoven's Missa Solemnis, and the Mozart Requiem complete with the recitation of prayers are included. Tippett: Symphonies Nos. 1-4 Suite for the Birthday of Prince Charles - Sir Colin Davis, Georg Solti, Chicago Symphony Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Sir Georg Solti - the first recordings as pianist and conductor, 1947-1958, 2003. Hary Janos Suite: Intermezzo, 04:35. Violin Concerto in D, Op. Unfortunately, the station stopped broadcasting. Perhaps, this is a temporary station problem. You can leave your e-mail and we will let you know when the broadcast of the station will be online again: Or listen to the other country dec name stations. Collection by Geoffrey Decker. Bartok: Concerto for Orchestra 1944: II. Guioco delle coppie - Music, First and Last : Scores from the Sir Georg Solti Archive - Loeb Music Library - Harvard College Library. Harvard College College Library Music Library Orchestra Scores Sheet Music Fill Archive Band. Harvard College College Library Music Library Scores Fill Acting Archive Music Amor
