Sidney Bechet - 12 Years On Blue Note. The Fabulous Sidney Bechet mp3

Tracklist

Credits

• Bass – Pops Foster
• Design [Cover] – Paul Bacon
• Drums – Manzie Johnson
• Piano – Don Kirkpatrick
• Soprano Saxophone – Sidney Bechet
• Trombone – Jimmy Archey
• Trumpet – Sidney De Paris

Notes

First catalogue number on front cover, second on rear cover and labels

767 Lexington Ave., New York 21, N.Y. address on rear cover

767 Lexington Ave., NYC labels

Recorded at WOR Studios, NYC, November 5, 1951 [jazzdisco.org]

Barcodes

• Matrix / Runout (Runout side A, etched): [the Plastylite "ear"] BN-LP-7020-A 9M
• Matrix / Runout (Runout side B, etched): [the Plastylite "ear"] BN-LP-7020-B 9M
• Matrix / Runout (Label side A): (BN-7020-A)
• Matrix / Runout (Label side B): (BN-7020-B)

Companies

• Pressed By – Plastylite
• Recorded At – WOR Studios

Album

The Fabulous Sidney Bechet, The Complete Sessions - Sidney Bechet. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Album 1958 17 Songs. The Fabulous Sidney Bechet. Sidney Bechet. Jazz 1958. Rose of the Rio Grande. Black and Blue. 17 Songs, 1 Hour, 12 Minutes. Released 1958. 2000 Blue Note Records. The Fabulous Sidney Bechet page. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Tell us why you would like to improve the 12 Years On Blue Fabulous Sidney Bechet. Bechet was in his twilight years at the time of these recordings, and still his soprano sax playing is extremely forceful, cutting through the six-piece ensembles like a beacon, loud as anything yet devoid of stridency. The music is old-school New Orleans swing, and this at a time when bebop and cool were the state of the art. At the 1951 session Bechet is joined by trumpeter Sidney de Paris, trombonist Jimmy Archey, pianist Don Kirkpatrick, bassist Pops Foster, and drummer Manzie Johnson. The Fabulous Sidney Bechet LP, Album, RE. Blue Note. BLP 1207. Blue Note , Deutscher Schallplattenclub. BST 81207, H 2602. Sidney Bechet - Blues My Naughty Sweetie Gives To Me 5:45. Liste Aggiungi alla Lista. The Penguin Jazz Guide da Szakall. Jimmy Archey - Trombone Sidney Bechet - Clarinet, Sax Soprano Johnny Blowers - Drums Sidney DeParis - Trumpet George Foster - Bass Pops Foster - Bass Manzie Johnson - Drums Jonah Jones - Trumpet Don Kirkpatrick - Piano Walter Page - Bass Buddy Weed - Piano Recording Date: Nov 5, 1951-Aug 25, 1953. Songs in album Sidney Bechet - The Fabulous Sidney Bechet 1958. Sidney Bechet - There'll Be Some Changes Made. Sidney Bechet - Original Dixieland One-Step. Sidney Bechet - Blues My Naughty Sweetie Gives To Me. Sidney Bechet: American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, beating trumpeter Louis Armstrong to the recording studio by several months. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Premier bal, Si tu vois ma mère, Joshua Fit the Battle of Jericho и другие песни. Legendary labels Decca Records and Blue Note have joined forces for Blue Note Re:imagined a brand new collection of classic Blue Note tracks bluenoterecords DeccaRecords. Up and coming stars including Jorja Smith and Nubya Garcia will feature on a new album, Blue Note Re:imagined, celebrating the iconic imprint. By Tim Peacock. Trailblazing Stars Of Jazz Line Up For Blue Note Re:imagined Album. You'll receive email and Feed alerts when new items arrive. Turn off email alerts. SIDNEY BECHET: 12 Years on Blue Note US BLUE NOTE 7020 Lexington 10 Jazz LP NM. Buy It Now. C shipping. From United States. SIDNEY BECHET - The Fabulous Sidney Bechet - LP Blue Note. SIDNEY BECHET -The Fabulous Sidney Bechet BLUE NOTE 10 7020 767 wear - RARE. Sidney Bechet was the first important jazz soloist on records in history beating Louis Armstrong by a few months. A brilliant soprano saxophonist and clarinetist with a wide vibrato that listeners either loved or hated, Bechets style did not evolve much through the years but he never lost his enthusiasm or creativity. A master at both individual and collective improvisation within the genre of New Orleans jazz, Bechet was such a dominant player that trumpeters found it very difficult to play with him. Bechet wanted to play lead and it was up to the other horns to stay out of his way