MP3 2566 mb.
Performer: Sad Baxter
Title: So Happy
Country: US
Label: Cold Lunch Recordings
Released: 2018
Style: Indie Rock
Rating: 4.9
Votes: 911
| 1 | Baby | 2:27 |
| 2 | Believe Me | 3:28 |
| 3 | Blow | 1:34 |
| 4 | Love Yew | 3:10 |
| 5 | Sick-Outt | 3:52 |
| 6 | Wash | 3:29 |
CD of So Happy EP Includes unlimited streaming of So Happy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 3 days. Buy Compact Disc. 8 USD or more. So Happy on cassette. Cassette Digital Album. The EP So Happy on blue cassette. Sad Baxter is Deezy Violet and Alex Mojaverian All songs written and performed by Sad Baxter Engineered by Steven Page Produced by Steven Page and Sad Baxter Bass by Steven Page except Blow by Deezy Violet Mixed by Mark Bullock Mastered by Mike Purcell at County Q Studios Cover photo by Caroline Bowman Album art by Caroline Bowman and Deezy Violet. Album 2018 6 Songs. So Happy - EP Sad Baxter. So Happy EP. Sad Baxter. So Happy EP Tracklist. Love Yew Lyrics. Listen free to Sad Baxter So Happy - EP Love Yew, Wash and more. 6 tracks 17:59. Город: Happy - EP, 2018. Love Yew, 03:10. Blow, 01:33. Believe Me, 03:30. Now playing . Is So Happy the best album by Sad Baxter brings together thousands of 'greatest ever album' charts and calculates an overall ranking. Sad Baxter - So Happy CD Used Very Good Condition: Very Good. Time left: 10d 20h 59m 8s Ships to: Worldwide. Sad Baxter - So Happy Extended Play Condition: Brand New. Time left: 10d 21h 53m 56s Ships to: Worldwide. Time left: 10d 22h 12m 6s Ships to: Worldwide. So Happy. Your Rating. Critic Score. User Score. Based on 1 rating. Or consider a donation Hide Ads. Become a Donor Donor badge, no ads more benefits. Hide Ads. Year End Lists. Happy Sad is the third album by singer-songwriter Tim Buckley, released in 1969. It was recorded at Elektra Sound Recorders in Los Angeles, California and was produced by former Lovin' Spoonful members Zal Yanovsky and, coincidentally, his subsequent replacement Jerry Yester. It marked the beginning of Buckley's experimental period, as it incorporated elements of jazz that he had never used before. Many of the songs here represent a departure from the binary form that dominated much of his previous