Ray Charles - The Complete Swing Time & Down Beat Recordings mp3

Tracklist

Notes

Disc 2
1 Someday 3:09
2 I'll Do Anything But Work 2:28
3 I Wonder Who's Kissing Her Now? 2:19
4 All to Myself 2:01
5 Lonely Boy 2:52
6 Baby Let Me Hold Your Hand 3:01
7 I'm Glad for Your Sake 2:41
8 Baby Won't You Please Come Home 2:54
9 Kissa Me Baby 3:12
10 Hey Now 2:19
11 The Snow Is Falling 2:51
12 Misery in My Heart 3:04
13 Let Me Hear You Call My Name 3:34
14 Why Did You Go? 2:49
15 I'm Wonderin' and Wonderin' 3:20
16 Walkin' and Talkin' 3:10
17 Guitar Blues Instrumental 2:33
18 Back Home Instrumental 2:34
19 Sweet as Can Be previously unreleased / Take 2 / Alternate Take 2:21
20 I'll Do Anything But Work previously unreleased / Take 2 / Alternate Take 2:40
21 Someday previously unreleased / Take 2 / Alternate Take 3:10
22 Late in the Evening Blues 2:18 (There is an error with all releases of this CD. Instead of this track being ‘Late in the Evening Blues’ as listed (and as it is supposed to be), CD 2 Track 22 is instead a repeat of CD 1 Track 23 ‘Sweet As Can Be’. See below info for links to 'rectify' this issue. ~ PitsPiano

Album

The light blues and jazz of Ray Charles' early recordings were heavily influenced by Nat King Cole, and Charles frequently recorded in a similar trio format. His sound changed dramatically soon after he signed to Atlantic in 1952: His singing became more forceful and confident, and his rock 'n' soul performances were unlike anything he had done earlier for the Swing Time or Down Beat labels. This two-disc set marks the first comprehensive domestic compilation of Charles 1949 to 1952 output for Jack Lauderdales Swing Time and Down Beat logos that pays proper homage to its contents. LIVING BLUES. Tuff City is excited to announce that in response to the overwhelming demand for their Ray Charles 2XCD, they are re-launching it at a new low price This is the most comprehensive collection ever created from this time period, consisting of 45 tracks on two CDs and including previously unreleased alternate takes . Ray Charles The Complete Swing Time And Down Beat Recordings 1949-1952. レーベル: Night Train International NTI CD 2001. Ray Charles Related artists. Album name. Complete Swing Time & Down Beat Recordings 1949-1952 2CD. Ray Charles-Sitting on Top of the World. The Birth of a Legend: 1949-1952 Complete Down Beat - Swing Time Recordings, Джаз2019. Ray Charles-Baby Let Me Hold Your Hand. Ray Charles-Kissa Me Baby. Ray Charles-Confession Blues. Ray Charles-If I Give You My Love. Ray Charles-Can't You See Darling . Ray Charles. Confession Blues. Alone In The City. You'll Never Miss The Water. Likewise, these early recordings of Ray Charles are basically genre exercises, straightforward r&b pop. These recordings have been compared to several different contemporary acts, but the obvious one is Nat King Cole. These early recordings sound pretty much like Ray aiming for that nice down market supper club soul. That sounds a little bad so far I fear, when I don't intend it as such. Ray Charles could do Nat King Cole just almost better than the man himself. His sound was still embryonic. He hadn't fully found his own voice, but this was young, hungry Ray Charles- and some of. Ray Charles & Betty Carter LP Ray Charles. Modern Sounds In Country & Western Music Vols. I'm A Fool to Care: The Complete Recordings 1958-1977 CD Joe Barry. Snag-A-Tooth Jeanie: Rare And Unissued Recordings 1960-1964 CD Huey Piano Smith & His Clowns. Swing Time Shouters, Volume 2 CD Various Artists. Chica Boo CD Lloyd Glenn. View More. The Complete Swing Time And. The Complete Swing Time And Down Beat Recordings 1949-1952 CD. Currently Unavailable. A new version of is available, to keep everything running smoothly, please reload the site. The Complete Swing Time And Down Beat Recordings 1949-1952. Исполнитель: Ray Charles Название альбома: The Complete Swing Time & Down Beat Recordings 1949-1952 Год выпуска: 1997 Формат файлов: Flac Размер архива: CD 1: 242 Mb, CD 2: 236 Mb Скачать с: ifolder, depositfiles. The light blues and jazz of Ray Charles early recordings were heavily influenced by Nat King Cole, and Charles frequently recorded in a similar trio format. His sound changed dramatically soon after he signed to Atlantic in 1952: His singing became more forceful and confident, and his rock n soul performances were unlike anything he had done earlier for the Swing Time or Down Beat