MP3 2244 mb.
Performer: Prodigy
Title: The Dirtchamber Sessions Volume One
Country: Russia
Catalog Number: FL 3 150-4
Label: Feelee, XL Recordings
Released: 1999
Style: Breakbeat, Big Beat, Trip Hop, Alternative Rock, Punk, Britcore
Rating: 4.5
Votes: 417
| 1 | –The Chemical Brothers | (The Best Part Of) Breaking Up | |
| 2 | –Babe Ruth | The Mexican | 6:03 |
| 3 | –Jane's Addiction | Been Caught Stealing | |
| 4 | –Herbie Hancock | Rockit | |
| 5 | –Bomb The Bass | Bug Powder Dust | |
| 6 | –The B-Boys | Rock The House | |
| 7 | –Ultramagnetic MC's | Give The Drummer Some | |
| 8 | –Time Zone | Wildstyle | 6:45 |
| 9 | –Sex Pistols | New York | 4:57 |
| 10 | –Meat Beat Manifesto | Radio Babylon | |
| 11 | –London Funk Allstars | Sure Shot | 8:41 |
| 12 | –The J.B.'s | Blow Your Head | |
| 13 | –Frankie Bones | Shifted Off | |
| 14 | –Public Enemy | Public Enemy No. 1 | |
| 15 | –Renegade Soundwave | Ozone Breakdown | |
| 16 | –Tim Dog | I Get WreckedFeaturing – KRS-One | |
| 17 | –LL Cool J | Get Down | 4:00 |
| 18 | –The Chemical Brothers | Chemical Beats | |
| 19 | –Beastie Boys | It's The New Style | |
| 20 | –Ultramagnetic MC's | Kool Keith Housing Things | |
| 21 | –The 45 King | 900 Number | |
| 22 | –T La Rock | Breakin' Bells | |
| 23 | –Hijack | Doomsday Of Rap | |
| 24 | –The Prodigy | Poison | |
| 25 | –DJ Mink | Hey! Hey! Can U Relate | 7:53 |
| 26 | –Uptown | Dope On Plastic | |
| 27 | –The Beginning Of The End | Funky Nassau | |
| 28 | –Word Of Mouth | King Kut | |
| 29 | –Frankie Bones | Funky Acid Makossa | |
| 30 | –Rasmus | Tonto's Release | |
| 31 | –Digital Underground | Humpty Dance | |
| 32 | –D.St. | The Home Of Hip-Hop | 5:49 |
| 33 | –J.V.C. F.O.R.C.E. | Strong Island | |
| 34 | –West Street Mob | Breakdance Electric Boogie | |
| 35 | –Barry White | I'm Gonna Love You A Little More Baby | |
| 36 | –The KLF | What Time Is Love | |
| 37 | –Lightnin' Rod | Sport | |
| 38 | –Frankie Bones | And The Break Goes Again | |
| 39 | –Coldcut | Beats & Pieces | |
| 40 | –Propellerheads | Spybreak! | |
| 41 | –Grandmaster Flash & The Furious Five | Pump Me Up | |
| 42 | –Hardnoise | Untitled | |
| 43 | –Fatboy Slim | Punk To Funk | |
| 44 | –The Charlatans | How High | |
| 45 | –Primal Scream | Kowalski | |
| 46 | –Liam Howlett | Intro Beats | 7:18 |
| 47 | –Medicine | I'm Sick | |
| 48 | –The Jimmy Castor Bunch | It's Just Begun | |
| 49 | –Beastie Boys | Time To Get Ill |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| XLCD 128 | Prodigy | The Dirtchamber Sessions Volume One (CD, Comp, Mixed, Dig) | XL Recordings | XLCD 128 | UK | 1999 |
| XLCD 128, 900.1999.20 | Prodigy | The Dirtchamber Sessions Volume One (CD, Mixed) | XL Recordings, Pias Benelux | XLCD 128, 900.1999.20 | Benelux | 1999 |
| KV004 | Prodigy | The Dirtchamber Sessions Volume One (CD, P/Mixed, Unofficial) | Not On Label (The Prodigy) | KV004 | Russia | 1999 |
| XLCD 128 | Prodigy | The Dirtchamber Sessions Volume One (CD, Mixed, RE) | Soyuz Music, XL Recordings | XLCD 128 | Russia | 2005 |
| XLCD 128 | Prodigy | The Dirtchamber Sessions Volume One (CD, Comp, Mixed, Promo, Dig) | XL Recordings, Beggars Banquet US | XLCD 128 | USA & Canada | 1999 |
Correct release title: Prodigy Present The Dirtchamber Sessions Volume One.
Each CD track contains excerpts from several different tracks. The total track time is given on the first sub-track.
This compilation ℗&© XL-Recordings Ltd 1999.
Released under license by PIAS Benelux
1B Mistitled as "Tonto's Release".
3C written on the release as 'Best Part Of Breaking Up'.
4A written on the release as 'Hey Can You Relate' in the liner notes and 'Hey Hey Can You Relate (Instrumental) in the copyright info.
4C, 4D, 4E: Artist written as 'Frankie Bones' in the liner notes and 'Bones Breaks' in the copyright info.
4G written on the release as 'Rokit'.
4I written on the release as 'Spy Break'.
Track 1B published by Big Life Music. (P) 1998 Bolshi Recordings. Licensed courtesy of Big Life.
Track 1C published by Music Of Life Publishing. (P) 1991 Music Of Life Ltd. Licensed courtesy of Music Of Life Ltd.
Track 1D published by M62/BMG Music Publishing Ltd/Copyright Control. (P) 1995 Virgin Records Ltd. Licensed courtesy of Virgin Records Ltd.
Track 1E published by Next Plateau Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1988 Next Plateau Entertainment. Used by permission of Roadrunner Records.
Track 1F published by On The One Publishing. (P) 1988 Liberty (the copyright in this sound recording is owned by Liberty, a division of Capitol records Inc). Licensed courtesy of EMI Commercial Markets.
Track 1G published by Next Plateau Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1988 Next Plateau Entertainment. Used by permission of Roadrunner Records.
Track 1H published by Chu Teh Music/UK: Copyright Control/Warner Chappell Music Ltd/Leosong Copyright Service Ltd/Copyright Control. (P) 1983 Celluoid Inc. Licensed courtesy of Lendway/Polygram Licensing Division.
Track 2A published by Cop Con/10 Soup. (P) 1994 Island Records Ltd. Licensed from Polygram Licensing Division on behalf of Island Records.
Track 2B published by UK: Island Music Ltd/Hugabut Music/Maxx Kidds Music/USA: Sugar Hill Music. (P) 1984 Sugar Hill Records Inc. Licensed courtesy of Castle Music Ltd/Rhino Entertainment Company.
Track 2C published by Warner Chappell Music Limited. (P) 1997 Beggars Banquet Records Limited. Licensed courtesy of Beggars Banquet Records/Universal Music.
Track 2D published by EMI Virgin Music Publishers Ltd. (P) 1995 XL-Recordings Ltd.
Track 2E published by EMI Virgin Music Limited. (P) 1997 Warner Bros Records Inc. (Licensed courtesy of Warner Special Projects).
Track 2F published by Tim Dog Music (BMI)/Zomba Enterprises Inc/BDP Music administered by Zomba Enterprises Inc/Super Star International Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1993 Sony Music Entertainment. (Licensed courtesy of Sony Music Entertainment Inc).
Track 3A published by Carlin Music Corp. (P) 1972 EMI Records Ltd. (The copyright in this sound recording is owned by EMI Records Ltd). Licensed courtesy of EMI Commercial Markets.
Track 3B published by Vintertainment Publishing Co (Pisces Music Ltd). (P) 1983 Vintertainment Record Co. (Licensed courtesy of Vintertainment).
Track 3C published by MCA Music. (P) 1996 Virgin Records Ltd. Licensed courtesy of Virgin Records Ltd.
Track 3D published by Promuse Inc/Duke Bootee Music/BMI/UK: Warner Chappell Music Ltd. (P)1985 Arista Records Inc. (Licensed courtesy of BMG Special Marketing Europe/Arista Records Inc/BMG Entertainment International UK & Ireland).
Track 4A publishing: Copyright Control. (P) 1990 Warp Records Limited. (Licensed courtesy of Warp Records Limited).
Track 4B published by E.G. Music/Zoo-Warner Chappell Music. (P) 1988 KLF Communications. (Licensed courtesy of KLF Communications Ltd).
Track 4C publishing: Copyright Control. (P) 1988 Sonic Groove Records (N.Y.C.). (Licensed courtesy of Sonic Groove Records).
Track 4D publishing: Copyright Control. (P) 1988 Sonic Groove Records (N.Y.C.). (Licensed courtesy of Sonic Groove Records).
Track 4E publishing: Copyright Control. (P) 1988 Sonic Groove Records (N.Y.C.). (Licensed courtesy of Sonic Groove Records).
Track 4F published by Strictly Confidential. (P) 1990 Play It Again Sam. Licensed courtesy of Play It Again Sam Records and Nothing Records Limited.
Track 4G published by Hancock Music Company (BMI)/More Cut Music (BMI)/Bridge Of Sighs (BMI). (P) 1980 Sony Music Entertainment. (Licensed courtesy of Sony Music Entertainment Inc).
Track 4H published by Street Tuff Tunes. (P) 1992 Tuff City Records. (Licensed courtesy of Tuff City Records).
Track 4I published by Chrysalis Music. (P) 1997 Propellerheads. Licensed courtesy of Wall Of Sound/Dreamworks Records (under license from Universal Music Special Markets Inc). taken from the album 'Decksanddrumsandrockandroll'.
Track 4J published by Polygram Music Publishing Ltd/Island Music Ltd. (P) 1986 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on the Def Jam album 'Licensed To Ill' .
Track 5A published by Stephen Philip Jones/Warner Chappell Music/Rotten Music Ltd. (P) 1992 Virgin Records Ltd. Licensed courtesy of Virgin Records Ltd/Warner Special Products.
Track 5B published by Polygram Music Publishing Ltd/K.P.M. Music Ltd. (P) 1996 Skint Records. (Licensed courtesy of Skint Records).
Track 5C published by Year Zero Music Ltd/Bucks Music Ltd. (P) 1997 Next Century Records c/o Bucks Music Ltd. (Licensed courtesy of Bucks Music Ltd).
Track 6A published by D Street Music (BMI)/Chu Teh Music (BMI). (P) 1985 Celluloid Inc. Licensed courtesy of Lendway.
Track 6B publishing: Copyright Control. (P) 1984 Big East Entertainment. Licensed courtesy of Sidewalk Music Inc.
Track 6C published by EMI Music/Complete Music/Sony Music. For USA: EMI Music Publishing Ltd c/o EMI Blackwood Music Inc/Complete Music Ltd PRS. Administered in USA by Incomplete Music Inc. c/o Lip Services BMI. (P) 1997 Creation Records Limited/Reprise Records Inc. Contains dialogue from "Vanishing Point" used courtesy of the Cleavon J Little Living Trust (Actor), Guillermo Cain (Writer), Richard Sarafian (Director), 20th Century Fox Productions and Norman Spencer (producer). Licensed courtesy of Creation Records Ltd/Sony Music Entertainment/Warner Special Products (Produced under licence from Warner Bros Records Inc). Taken from the Creation album "Vanishing Point".
Track 6D published by Polygram Music Publishing Ltd/Island Music Ltd. (P) 1986 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on the Def Jam album 'Licensed To Ill' .
Track 6E published by Warner Chappell Music Ltd. (P) 1973 Polygram Records Inc (NY). Licensed from Polygram Licensing Division.
Track 6F published by Published by Bucks Music Ltd/Island Music Ltd. (P) 1987 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on the Def Jam album 'Yo! Bum Rush The Show' .
Track 6G published by Intersong Music Ltd. (P) 1974 Polygram Records Inc. Licensed from Polygram Licensing Division.
Track 6H published by Hit And Hold Music Inc (ASCAP). (P) 1993 Warlock Records Inc. (Licensed courtesy of Warlock Records Inc).
Track 7A published by Island Music Ltd. (P) 1987 Def Jam Recordings. Licensed courtesy of Polygram Licensing Division. Available on the Def Jam album 'Bigger And Deffer' .
Track 7B published by Zomba/GLG (ASCAP)/Bridgeport/Polygram/Island (BMI). (P) 1989 Tommy Boy Music. Incorporates a sample of 'Let's Play House'. Digital Underground appears courtesy of Tommy Boy Music.
Track 7C published by T-Boy Music (ASCAP)/T-Girl Music (BMI). (P) 1989 Tommy Boy Music. Uptown appears courtesy of Tommy Boy Music.
Track 7D published by Just Isn't Music. (P) 1997 Ninja Tune. (Licensed courtesy of Ninja Tune).
Track 8A written for Blapps! Published by Just Isn't Music. (P) 1995 Ninja Tune. (Licensed courtesy of Ninja Tune).
Track 8B published by UK: IQ Music Ltd/USA: Regent Music. (P) 1983 Sugar Hill Records Inc. Licensed courtesy of Castle Music Ltd/Rhino Entertainment Company.
Track 8C publishing: Copyright Control. (P) 1988 Reservoir Records. (Licensed courtesy of Reservoir Records).
Track 8D published by Mute Song Ltd. (P) 1988 Mute Records Limited. Licensed courtesy of Mute Records Ltd. Taken from the Mute album 'RSW 1987-1995'.
Track 8E published by Windswept Pacific Songs BMI/UK: Kassner, Edward Music Co Ltd. (P) 1971 WEA International Inc. Licensed courtesy of Warner Special Products (Produced under licence from Atlantic Recording Corp).
Track 8F published by Jimpire Music/BMI/UK: Minder Music Ltd. (P) 1972 BMG Entertainment. Licensed courtesy of BKG Special Marketing Europe/RCA Records Inc/BMG Entertainment International UK & Ireland Ltd.
The inspirations: Double Dee And Steinski, Coldcut, Big Apple Productions, Flash On The Wheels Of Steel, DJ Cheese, Cash Money, Cutmaster Swift, Mixmaster MIke, Scratch Piklz and the Artists on this record.
Extra thanx goes out to: John Lydon, Jimmy Cauty, Bill Drummond, Mary Anne Hobbs, Martin James, Kathy (Beggars), R To The R.Cover reads: Prodigy Present: The Dirtchamber Sessions Volume One.
Released 22 February 1999 In XL Recordings Prodigy Presents: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy the latter was used as a moniker in this case, and it was initially produced for BBC Radio 1's mix show The Breezeblock. 50 видео Воспроизвести все Микс Liam Howlett Prodigy - The Dirtchamber Sessions Volume. The album came about as a result of a 1998 guest DJ appearance by Howlett on Mary Anne Hobbs's Breezeblock show on BBC Radio 1, producing a similar set. Released 22 February 1999 In XL Recordings Prodigy Presents: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy the latter was used as a moniker in this case, and it was initially produced for BBC Radio 1's mix show The Breezeblock. There are roughly 50 tunes from many artists mixed, scratched and cut. Скачать песню The Prodigy The Dirtchamber Sessions Volume One 1 на телефон рингтон на звонок, либо слушать mp3 в хорошем качестве 320 kbps вы можете на . DJ Mink Hey Hey Can U Relate Instrumental, Klf What Time Is Love, Frankie Bones Funky Acid Makossa, Frankie Bones Shifted Off, Frankie Bones And The Break Goes Again, Meat Beat Manifesto Radi. The back sleeve has photos of Liam's studio. Toggle mute. The Prodigy - Get Down, Humpty Dance, Dope On Plastic, More Beats And Pieces. Полные треки, использованные для микса можно найти тут Expand. The album came about as a result of a 1998 guest DJ appearance by Howlett on Mary Anne Hobbs's Breezeblock show on the UK radio station Radio 1, producing a similar set. Duration: 1 hour 13 minutes 2 seconds1:13:02. The Prodigy, Grandmaster Flash, Tim Dog, KRS One, Bomb The Bass, Jane's Addiction. The Prodigy : The Dirtchamber Sessions Volume One,альбом, рецезия, трек-лист, mp3, тексты песен. The Prodigy - New York, Punk to Funk, I'm Sick. Liam Howlett of the Prodigy released his solo DJ Mix album in February 1999, titled Dirtchamber Sessions Volume 1. The Chemical Brothers, Babe Ruth, Word Of Mouth, The B-Boys. Prodigy Present: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy the latter used as a moniker in this case, initially produced for BBC Radio 1's mix show The Breezeblock. Формируйте собственную коллекцию. Current track: 475 - The Prodigy pres. It was then that UK radio station Radio 1 reported that a few days later the Prodigys Liam Howlett will be on Radio 1 in Mary-Anne Hobbs Breezeblock show. Listen free to The Prodigy The Dirtchamber Sessions Volume One Intro Beats, Punk Shock and more. Скачать песню The Prodigy The Dirtchamber Sessions Volume One 1 на телефон рингтон на звонок, либо слушать mp3 в хорошем качестве 320 kbps вы можете на free to The Prodigy The Dirtchamber Sessions Volume One Intro Beats, Punk Shock and more. The album came about as a result of a 1998 guest DJ appearance by Howlett on Mary Anne Hobbs's Breezeblock show on the UK radio station Radio 1, producing a similar set. Prodigy Present The Dirtchamber Sessions Volume One - The Prodigy. The Prodigy - New York, Punk to Funk, I'm Sick. Songs in album The Prodigy - The Dirtchamber Sessions, Vol. The Dirtchamber Sessions Vol 1 1999475 - The Prodigy pres. It contains about 50 cut, scratched, and cross-faded tracks, mixed by Liam himself. The inside sleeve has a picture of Liam lying in floor of his studio with his mixer and records. The Classic Mix CD Series. 48 tracks . The Dirtchamber Sessions Vol 1 1999. It all started near the beginning of October 1998. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. There are more than 48 tunes from many artists mixed, scratched and cut. Prodigy Present: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy the latter used as a moniker in this case, initially produced for BBC Radio 1's mix show The Breezeblock. The Prodigy - Hey Hey Can You Relate, What Time Is Love, Funky Acid Makossa, Shafted Off, And The Break Goes Again, Radio Babylon, Rockit, 900 Number, Spybreak, It's The New Style. Babe Ruth The Mexican, The B-Boys Rock The House, Chemical Brothers The Best Part Of Breaking Up, Word Of Mouth King Kut. The album came about as a result of a 1998 guest DJ appearance by Howlett on Mary Anne Hobbs's Breezeblock show on BBC Radio 1, producing a similar set. Use shift and the arrow up and down keys to change the volume. The front sleeve says 'Prodigy present The Dirtchamber Sessions Volume One'. The Prodigy - Hey Hey Can You Relate, What Time Is Love, Funky Acid Makossa, Shafted Off, And The Break Goes Again, Radio Babylon, Rockit, 900 Number, Spybreak, It's The New Style