Paul Desmond - Take Ten mp3

Tracklist

1	Embarcadero Written-By – Paul Desmond	3:56
2	El Prince Written-By – Paul Desmond	3:20
3	Theme From "Black Orpheus" Written-By – Maria, Bonfa	4:09
4	Alone Together Written-By – Schwartz - Dietz	6:48
5	The One I Love (Belongs To Somebody Else) Written-By – Kahn, Jones	5:35
6	Take Ten Written-By – Paul Desmond	3:06
7	Samba De Orfeu Written-By – Maria, Bonfa	4:19
8	Nancy Written-By – Van Heusen, Silvers	6:00

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
LSP-2569	Paul Desmond	Take Ten ‎(LP, Album)	RCA Victor	LSP-2569	US	1963
LPM-2569	Paul Desmond	Take Ten ‎(LP, Album, Mono)	RCA Victor	LPM-2569	US	1963
LSP-2569	Paul Desmond	Take Ten ‎(LP, Album, RE, 180)	RCA Victor	LSP-2569	UK & Ireland	2016
LSP-2569	Paul Desmond	Take Ten ‎(LP, RE)	RCA Victor	LSP-2569	US	1968
BVCJ-37216	Paul Desmond	Take Ten ‎(CD, Ltd, RE, RM, Pap)	RCA, BMG	BVCJ-37216	Japan	2001

Credits

• Alto Saxophone – Paul Desmond
• Bass – Gene Wright (tracks: 1), Gene Cherico (tracks: 2 to 8)
• Drums – Connie Kay
• Engineer [Recording Engineer] – Ray Hall
• Guitar – Jim Hall
• Liner Notes [Original] – Paul Desmond
• Liner Notes [Reissue] – Masamichi Okazaki
• Producer – George Avakian
• Reissue Producer – Ikuyoshi Hirakawa
• Remastered By – Tohru Kotetsu

Notes

Recorded at Webster Hall, New York City.

20bit K2 Mastering.

Barcodes

• Barcode: 4988017052570
• Rights Society: JASRAC

Companies

• Manufactured By – BMG Victor Inc.
• Phonographic Copyright (p) – BMG Music

Video

Album

Take Ten - Paul Desmond. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Take Ten. Исполнитель: Paul Desmond. 1963 jazz. 2013 Original Album Plus Bonus Tracks. слушайте с пользой. У нас есть подкасты обо всём на свете . Paul Desmond: Take Ten - Paul Desmond. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Take Ten is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1963 which were released on the RCA Victor label. All compositions by Paul Desmond except where noted. Take Ten 3:11. El Prince 3:38. Alone Together Arthur Schwartz, Howard Dietz 6:52. Embarcadero 4:07. Take Ten 1973 Version. Paul Desmond. SME от лица компании Epic Sony ATV Publishing, LatinAutor - SonyATV, BMI - Broadcast Music Inc. Album 1994 11 Songs. Jazz 1994. Take Desmond - Take Ten 1963. To favorites 1 Download album. Listen album. Songs in album Paul Desmond - Take Ten 1963. Paul Desmond - Take Ten. Paul Desmond - El Prince Original Take. Paul Desmond - Embarcadero Original Take. Paul Desmond - Manha De Carnaval Theme From Black Orpheus. Paul Desmond - Nancy With The Laughing Face. Paul Desmond - Samba De Orfeo. Paul Desmond - The One I Love Belongs To Somebody Else. Paul Desmond - Out Of Nowhere. Everyone wanted Desmond to come up with a sequel to the monster hit Take Five and so he did, reworking the tune and playfully designating the meter as 108. Hence Take Ten, a worthy sequel with a solo that has a Middle-Eastern feeling akin to Desmond's famous extemporaneous excursion with Brubeck in Le Souk back in 1954. Listen free to Paul Desmond Take Ten Take Ten, El Prince and more. 8 tracks 37:08. Take Ten was Desmond's follow-up composition to Take Five, for the Brubeck Quartet a hit record and for Paul a dependable annuity that is still producing considerable income for his estate. The bassist for the title tune of Desmond's second RCA album is Eugene Wright, fellow Brubeckian and shaman of 54 time who, in the early sixties when 54 was Sanskrit to most jazz musicians, would hold little counting seminars backstage: 1,2,31,2, he would instruct the locals, that's t. Paul Desmond: Take Ten. This article appears in Chapter 28 of Take Five: The Public and Private Lives of Paul Desmond by Doug Ramsey Parkside Publications, 2005. When Desmond had time off from the Brubeck group, he was likely to be recording under his own name. Beginning with the first Desmond Blue session, he and Jim Hall were in RCA's famous studio A shades of Toscanini, Horowitz and Heifitz or studio B nineteen times from 1961 to 1965 for recording sessions that produced five albums. Connie Kay was a constant