Panthelion - Life After 339 mp3

Tracklist

Credits

• Bass, Piano – Panthelion
• Drums – Babatunde Lea (tracks: 3 to 6), Dave Tweedy (tracks: 2)
• Percussion – Vince Delgado (tracks: 1, 2, 4, 5)
• Tenor Saxophone – Charles McNeal (tracks: 1, 2, 5, 6), Doug Rowan (tracks: 3, 4)
• Trumpet – Ara Anderson (tracks: 2, 5 , 6), Mike Olmos (tracks: 3), Rob Delhinger (tracks: 1, 4)
• Vibraphone – Tommy Kessecker (tracks: 4)
• Viola – Eric Golub (tracks: 6), Natasha Vershilova (tracks: 5)
• Violin – Randy Wiess (tracks: 5)
• Violin [1st] – Rick Shinozaki (tracks: 6)
• Violin [2nd] – Carey Koh (tracks: 6)
• Vocals – Milla Milojkovic (tracks: 6)

Notes

Total time: 45:35.

ⓟ & © 2006.

Barcodes

• Barcode: 6 66449 50122 7
• Matrix / Runout (Runout): SD5012 21288 GP/CA 606576
• Rights Society: ASCAP
• Other (SPARS Code:): AAD

Companies

• Phonographic Copyright (p) – Dvorzak Publishing
• Copyright (c) – Dvorzak Publishing

Video

Album

6 tracks 45:21. Unique - Avant garde. Rob plays trumpet on a tracks 1 & 4 on this CD by SF Bay Area artist Panthelion. An invite email will be sent to the member to lead them to the Top Ten Publishing Contract and Wizard. Stream Life After 339, a playlist by panthelion from desktop or your mobile : Blue at Midnight, Duso Moja: It's All Bad, GoodBye 339 Thunders и другие песни. Track List. Blue at Midnight. This Is It. Goodbye 339 Thunders. Duso Moja: It's All Bad. This is a new, unopened CD in its original Albums. Life After 339 outakes. Goodbye 339 string arrangment. Help us with just a few more questions. But you can pick one that's 25 characters or less and includes a letter. Numbers, dots and dashes are ok, too. 2007 Dvorzak Publishing. Legal Privacy Cookies About Ads. Life After 339. Walmart 566671811. Record Label. CD Baby. Physical Media Format. ALBUM REVIEW by Dave Kostiuk: Life After 339 by Panthelion - Dvorzak, 2007. I figured it out on my third listen. Well, I should have already known, as Andrew Currier already told me in a previous interview that he is trying to create a new body of standards with his solo debut, Life After 339. When he initially said this, I though to myself: good, another young musician in the Bay Area trying to make a difference. But after repeated listens to his record, the true significance of this body of standards idea came to light. Like great tunes of yesteryear, such as Take the A Train, or So W