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Morthem Vlade Art - Autopsy mp3

Morthem Vlade Art - Autopsy mp3

Performer: Morthem Vlade Art
Title: Autopsy
Country: Germany
Catalog Number: PAN-41
Label: Pandaimonium Records
Released: 2005
Style: Goth Rock, Avantgarde
Rating: 4.0
Votes: 090

Tracklist

1Spirits
2The Day Of Karlls Death
3Wine Of Rose
4The Worm (Inedit)
5Museum Party
6Ceremony
7Inferno Psalms
8Vlündesküdothey
9Endless Dream (Version)
10Ectoplasm Part I & II
11Occident Genocide
12Louis-James Day
13The Ravishing Wolves
14 Bonus
15Obsessis A Daemonio
16Venemous Sin

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
PAN-41Morthem Vlade Art Autopsy ‎(CD, Album, Comp, Promo)Pandaimonium RecordsPAN-41Germany2005

Credits

  • ArtworkCode@17
  • Artwork [Cover Installation]Emmanuell.D
  • Noises [Sound Collage And Cuttings]Gregg Anthe
  • PerformerArn', David Swest, Emmanuell.D, Gregg Anthe, Jorgan Hansz, Nelly
  • Photography By [Portrait]A. Lorca
  • Written-ByEmmanuell.D (tracks: 1, 3, 6, 8, 9, 13 to 15), Gregg Anthe

Notes

[sticker]
Finally on CD
The Morthem Vlade Art trilogy
Autopsy
Recorded before Herbo Dou Diable, incl. rare & unreleased songs of the cassette tapes:
"Order Of The Fly"
"Azazel"
"Allegory Of Putrefaction"

[booklet]
Recorded on an analog Tascam 4 tracks (1995-1997).
Songs 10, 11, 12, 13 taken from an Ampex 472 High Bias analog tape.
Songs 14, 15 recorded at Doppelgänger
(p) 1995/96/97 Morthem Vlade Art under licence to Pandaimonium Records
(c) 2005 Morthem Vlade Art under licence to Pandaimonium Records

[back cover]
This CD was not digitally recorded
Made in Germany

Released in clear jewel case with clear PVC front sticker, 2-sided back tray and 4-page booklet.
Two songs from those demos weren't included here.

Barcodes

  • Barcode: 4 042564 008944
  • Mastering SID Code: IFPI LL88
  • Mould SID Code: IFPI 5231
  • Matrix / Runout: STRE.041209.002
  • Rights Society (On CD label): GEMA
  • Rights Society (In booklet): SACEM
  • Label Code: LC 00894

Companies

  • Distributed By – AL!VE
  • Licensed To – Pandaimonium Records
  • Phonographic Copyright (p) – Morthem Vlade Art
  • Copyright (c) – Morthem Vlade Art
  • Recorded At – Doppelgänger, Paris

Video

Album

Формируйте собственную коллекцию записей Morthem Vlade Art. The 90's was the era when Industrial music reinvented itself, from the cathartic origins of often quite horrendous noise, into something which managed to house both soundtrack music of varying hues, and less Neanderthal rock inclinations. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2005 CD от Autopsy на free to Morthem Vlade Art Autopsy Ceremony, Inferno Psalms and more. 15 tracks . This willingness to depicte through the sound a visual atmosphere reminds there again the predominant influence of a certain cinema genre in Morthem Vlade Arts work. Not a long time passed since the release of their previous album Photography In Things : it really depends but as we are completely involved in music creation and nothing else say Morthem Vlade Art, we have a lot of time to think about what we want to do exactly in an album and being organized. new artist. existing artist. Morthem Vlade Art Paris, France. contact, help. Contact Morthem Vlade Art. On this page you can download Morthem Vlade Art albums and mp3 songs compilations for free without : Morthem Vlade Art Album: Autopsy Year: 2005 Country: France Style: Post-Punk, Darkwave, New Name Morthem Vlade Art. Album Name Photgraphy in Things. Type Album. 发布日期 二月 2003. 出版公司 Pandemonium. Other productions from Morthem Vlade Art. Absente Therebentine. Photgraphy in Things. morthem vlade art скачать mp3 в хорошем качестве, либо слушайте песню Morthem Vlade Art - Closer To Me, Morthem Vlade Art - Surrender, Morthem Vlade Art - Salem, Morthem Vlade Art - Spirits, Morthem Vlade

Reviews (2)
Akinohn
It really is extraordinary how the influence of one band can continue to
emerge through the releases of other bands, and in unexpected ways, which
concentrates the focus on what might have happened. The band in question is,
as you might expect, Christian Death, and the influence here clearly
pinpoints it as coming from their most epic force, Only Theater Of Pain.
There has never been any attempt by Morthem Vlade Art to refuter the
suggestion because it obviously meant something to them at the time, and as
the album came out on a French label it isn¹t that difficult to imagine
shockwaves thudding into the willing and able underground ranks of French
musicians back then.

It is funny picking your way through this retrospective CD, containing the
work originally released on cassette albums during the 90's, to hear how
their work sounded then, when they now have such an artistic 80's sound
(the decade overall having quite a wow factor for them), but where once they
burned like a violent fuse now they have an art-installation aura about
them.

The 90's was the era when Industrial music reinvented itself, from the
cathartic origins of often quite horrendous noise, into something which
managed to house both soundtrack music of varying hues, and less Neanderthal
rock inclinations. It also attracted a lot of indie artists who simply
didn't favour the verse/chorus approach, and so "Ceremony"kicks off with a
suitably disquieting soundscape with consciously shadowy, wordy vocals, and
then keeps the same doomy vocal presence during "Inferno Psalms"but
introduces attractive, undemonstrative bass, and displays gentle orchestral
order in the music to offset any bleak extremes. The Goth relevance leaps
out of "Wine Of Rose"with a real Rozz delivery, and some compelling guitar
phases, winds down into noise, like a Goth-Indie amalgamation, rips it all
up again, and the ebbs away strangely. "Museum Party"contains the same
climactic angst, with lighter rhythmic sentiments, before we plunge into the
pointless noises of "Vluneskudothey"¹.

"Occident Genocide"is conventionally arty, as the title suggests and as
with many songs here the real strength of the piece isn¹t emphasised by any
instruments or vocals, because the sound is an ensemble piece, and fairly
compressed. Instead of sumptuous detail, it¹s all flat and wriggling.
"Ectoplasm Part I and II"is drifting calamity and a sonorous lament, before
"Louis-James Day"introduces seriously pretty synth and allows a glimpse of
what they would become; still Rozzy, but becoming fluid and open. "Obsessis
A Daemonio"is eerily muffled, and all tension is gone, "The Day Of Karlls
Death"sees the music floating but in a simpler and more direct fashion, as
the layers fall away, and in "Venomous Sin"a medieval twinge gives way to a
really romping rhythm which should have been fantastic but because they¹ve
gone for such a band sound it simple becomes great sludge.

"The Ravenous Wolves"is an increasingly majestic, portentous noisework,
"Spirits"shows how the indie elements won through, with a bubbling
concoction of synth , rhythm and solemn vocals, and then you get two extra
tracks, "Endless Dream"being piointless and empty, and "The Worm"taking us
back to gargling Goth¹, so it's an interesting snapshot of the 90¹s but in
how someone chose to reinvent the 80's!

They're a weird band in many respects and this fascinating album maintains
their record and reputation.
MICK MERCER (UK)

Zan
This is the new MVA album. This is not the new MVA album. What gives??
Okay, before you go mad with confusion, what we have here in Autopsy' is a collection of MVA's early work - 1995 to 1998.
It's worth noting this small but important fact because the tunes on here bear little in the way of the hallmark MVA sound of late. This is a much colder and aggressive MVA sound, and is easy to catch the unwary listener out if you think this is new material.
The songs are all male vocal fronted, and the vocals are, as already mentioned, much harsher, with a chilling edge to them.
The Bowie-esque vocals are non-existent, and I'd even liken this to some early Bauhaus, so haunting and twisted are the tunes. The music is guitar based, riddled with keyboards and drumming, accompanying a throbbing bass line in some places.
This fifteen track album brings us tracks from their early works such as 'Order of the Fly, 'Azazel' and 'Allegory of Putrefacation', and will no doubt be welcomed by completeists who have been after MVA's early material.
So what of the sound? Well, in my mind, this can best be likened to a twisting mass of disjointed music, that gets inside every crevice inside your mind - this is oh so reminiscent of the dark and smoky days of my early Goth years. Tracks such as 'Museum Party' would be great to be out of your mind and wrecking around on a dance floor to. This theme is carried out mostly, throughout the release, and this gives each track an almost theatrical presence, so reminiscent of the early Goth scene.
Interspersed between these frantic bouts of activity, are some truly dark and melodic numbers - 'Ectoplasm pt I & II' reminds me of walking through a graveyard on a foggy morning.
This formula continues throughout the album, and works well, as it gives the listener plenty to listen to without getting bored. A lot of thought went into this release.
The track that stands out for us is 'Venemous Sin' - a throbbing guitar based powerhouse of a track, and one certainly able to fill a dance floor today!
After listening to this album, two thoughts spring to mind: 1) It's oh so easy to see how MVA attracted the attention of the music scene. The obvious talent behind the music is highly evident here. 2) How did their sound change so much - it's very difficult to link the band on this album, to the band producing their current material. This is chalk and cheese, Ying and Yang. The thing is, we like both. Existing fans of MVA should get this and see the 'other side' to a band so rich in talent, while people into the old school sound
of Goth should give this a listen as well. You won't be disappointed.
HARD WIRED (UK, Keith Elcombe)

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