Labradford - Fixed::Context mp3

Tracklist

1	Twenty	18:27
2	Wien	5:44
3	David	6:35
4	Up To Pizmo	6:21

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
krank 047	Labradford	Fixed::Context ‎(CD, Album)	Kranky	krank 047	US	2001
BFFP 167, none	Labradford	Fixed::Context ‎(LP)	Blast First, Mute Records Ltd.	BFFP 167, none	UK	2000
398.0167.020, 5.0167.20.398, BFFP167CD	Labradford	Fixed::Context ‎(CD, Album)	PIAS Benelux, PIAS Germany, Playground Music Scandinavia	398.0167.020, 5.0167.20.398, BFFP167CD	Europe	Unknown
KRANK 047 LP	Labradford	Fixed::Context ‎(LP, Album)	Kranky	KRANK 047 LP	US	2001
BFFP167CD	Labradford	Fixed::Context ‎(CD, Album)	Blast First	BFFP167CD	UK	2000

Credits

• Design – Robert Gallerani
• Music By [All Songs] – Labradford
• Performer [Labradford] – Carter Brown, Mark Nelson , Robert Donne
• Recorded By, Mixed By – Labradford, Steve Albini

Notes

℗ 2000 Blast First/Mute Records Limited.
© 2000 Blast First/Mute Records Limited.
All Songs © Labradford.
Made in EU.
Printed in EU.

Packaging: clear tray jewel case.
One page leaflet.

Barcodes

• Barcode (Text): 5 016027 611674
• Barcode (String): 5016027611674
• Label Code: LC 5834
• Matrix / Runout (Variant 1): EMI uDEN 8508872 @ 1 1-2-1-NL
• Matrix / Runout (Variant 2): EMI uDEN 8508872 @ 1 010301
• Mastering SID Code (Variant 1,2): IFPI L047
• Mould SID Code (Variant 2): IFPI AAH28
• Rights Society: bel BIEM

Companies

• Recorded At – Electrical Audio
• Mixed At – Electrical Audio
• Phonographic Copyright (p) – Blast First
• Phonographic Copyright (p) – Mute Records Ltd.
• Copyright (c) – Blast First
• Copyright (c) – Mute Records Ltd.
• Copyright (c) – Labradford
• Published By – Mute Song
• Made By – EMI Uden

Video

Album

Alec L. Critten Labradford's final album finds them in a rather unique musical divide, straddling the lines between post-rock or even rock at all and pure ambient textures. By greatly limiting their sonic palette, these musicians are able to conjure a striking sound. Instead of lush sonic worldbuilding, fixed::context is defined by sleek, industrial tones that succeed in leaving an impression on the listener. This record may pass you by upon first listen, but it will draw you in, again and again. Favorite track: Twenty. Jack Kadien. Jack Kadien One of the greates. Fixed::Context is the sixth studio album by the Virginian post-rock band Labradford, released on February 26, 2001 by Blast First and Kranky. All lyrics are written by Mark Nelson all music is composed by Labradford. Adapted from the Fixed::Context liner notes. Labradford - Fixed:Context full album. stereototal78. Fixed:: Content. PIAS, The Orchard Music от лица компании Mute Hexacorp music publishing, ARESA, BMG Rights Management US, LLC и другие авторские общества 3. Labradford - Fixed::Context 2001. To favorites 1 Download album. Listen album. Ambient Post-Rock. Songs in album Labradford - Fixed::Context 2001. Labradford - Twenty. Labradford - Up To Pizmo. Labradford - David. Labradford - Wien. Album 2000 4 Songs. fixed::context. Alternative free to Labradford fixed::context Twenty, Up To Pizmo and more. 4 tracks 37:07. As with E Luxo So, there just didn't seem enough to the music to hold my interest. But each time I played it, fixed::context burrowed just a little deeper in my brain and I now hum the simple themes constantly, even when the record is nowhere in sight. I may have been a bit slow on the uptake initially because fixed::context is an absurdly minimal proposition. After dabbling with orchestral flourishes on their last two records, Labradford return to their instrumental roots here. To be honest, the clichéd sound of the soundtracky guitar is one of the things that turned me off from Labradford's last two records. Labradford is the eponymously titled third studio album by post-rock band Labradford, it was released on November 12, 1996, by Blast First and Kranky. Adapted from the Labradford liner notes. With Fixed::Context, they've built on the spatial qualities of E Luxo So, while making their most personal and intimate recording, despite it being completely vocal-less. Simple, subtle, and quite beautiful, the 37-minute album rewards during deep concentration and as use for background. It's just as scenic as Scenic and just as pleasantly dust-blown as Ry Cooder's score to Paris, Texas. Barely-there electronic rustling and an organ drone lead off the 18-minute-long Twenty