Kevin Drumm - Imperial Distortion mp3

Tracklist

Album

Imperial Distortion by Kevin Drumm, released 25 January 2016 1. Guillan-Barre 2. More Blood And Guts 3. Snow 1 4. Snow 2 5. Romantic Sores 6. We All Get It In The End Imperial Distortion. Recorded at Green Hell : 1 Guillain-Barre 2 More Blood And Guts 3 Snow 1 4 Snow 2 5 Romantic Sores 6 We All Get It In The free to Kevin Drumm Imperial Distortion Guillain-Barre, More Blood And Guts and more. 6 tracks 106:13. Chalked up on Hospital Productions release schedule before it was even finished, the album was originally planned as a balls-to-the-wall collection of primal fuzz pedal experiments, an idea that was quickly canned when Drumm came to the decision that the results simply wouldnt stand the test of time. The resulting collection of odds and sods, recorded over a thirteen-year period between 1995 and 2008, became Imperial Distortion, and, thanks to some warm persuasion from Hospitals Dominick Fernow, Drumm even kept the original title despite the fresh set of material being very much at odds with it. Critic Score. User Score. Submit Correction. Or consider a donation More Albums. View All. Sheer Hellish Miasma. Land of Lurches. Imperial Distortion. Disc IDs 2. Cover Art 0. Additional details. Type: Album. Status: Official. Language: English. Script: Latin. This album has an average beat per minute of BPM slowestfastest tempos:, BPM. Tracklist Imperial Distortion. Kevin Drumm Format: Audio CD. On this extended long form release Kevin Drumm comes face to face with minimal drone music and confronts the genre by providing one of its absolute pinnacles at the forefront movement. Drone music at its most concentrated and ably performed has build and depth in its tones. From the opening twenty minute track Guillain-Barre the mood of the album is laid clear. The arrangements are shadowy layers of soundtrack like tones not entirely unlike the work that Popul Vuh provided for Herzog s films. Kevin Drumm born 1970 is an experimental musician based in Chicago, United States. Emerging from the city's improvised music scene, in the 1990s he became one of the world's pre-eminent prepared guitar players. Since then his work has expanded to include electroacoustic compositions and live electronic music made with laptop computers and analog modular synthesizers. His early recordings contain mostly sparse, quiet sounds recent works have been more loud and dense