MP3 1552 mb.
Performer: Igor Stravinsky
Title: Works Of Igor Stravinsky
Country: Europe
Catalog Number: 88697103112
Label: Sony Classical
Released: 2007
Style: Modern
Rating: 4.4
Votes: 422
| 1 | Scènes De Ballet | |
| 2 | IV. Largo - Tempo Giusto, Alla Breve | 7:22 |
| 3 | Introduction | 0:52 |
| 4 | -- Scene 2 - The Street In Front Of Rakewell's House | |
| 5 | V. Toccata | 0:56 |
| 6 | VI. The Masqueraders | 1:53 |
| 7 | "You! O Nick, I've Had The Strangest Dream" | 5:20 |
| 8 | Three Japanese Envoys | 1:03 |
| 9 | II. The Dove | 1:33 |
| 10 | De Elegia Quinta. Oratio Jeremiae Prophetae | 3:10 |
| 11 | At The Mill | 6:55 |
| 12 | - Scene 3 | |
| 13 | The Soldier's March | 1:39 |
| 14 | III. Allegro Capriccioso Ma Tempo Giusto | 5:27 |
| 15 | Variations: Danseur & Ballerine | 2:25 |
| 16 | Prelude And Dance Of The Firebird | 0:17 |
| 17 | III. Española | 1:09 |
| 18 | Pas De Deux (Apollon Et Terpsichore): Adagio | 3:49 |
| 19 | Tango (New Orchestration, 1953) | 4:07 |
| 20 | III. Dance Of The Peasant And The Bear | 1:16 |
| 21 | III. ♪ = 112 | 2:34 |
| 22 | Summoning Of The Ancestors | 0:43 |
| 23 | The Soldier's Tale (Suite) | |
| 24 | Procession Of The Wise Elder | 0:43 |
| 25 | "No Word From Tom." | 5:40 |
| 26 | III. The Charlatan's Booth | 1:52 |
| 27 | III. The Jackdaw | 1:03 |
| 28 | The Catalogue Of The Animals | 1:33 |
| 29 | Concerto For 2 Solo Pianos | |
| 30 | IV. Finale. Allegro Molto | 8:29 |
| 31 | "Could It Then Have Been Known" (Trio) | 5:26 |
| 32 | Dance Of The Angel Of Death | 2:21 |
| 33 | - Act 2 | |
| 34 | Symphony In C | |
| 35 | Three Japanese Lyrics | |
| 36 | "What Curious Phenomena..." | 2:52 |
| 37 | III. Largo | 13:57 |
| 38 | II. Arioso. Andantino | 2:41 |
| 39 | Scene | 4:49 |
| 40 | V. ♪ = 104 | 2:04 |
| 41 | I. The Magpie | 0:59 |
| 42 | The Princesses' Intercede | 1:01 |
| 43 | Suite No. 2 For Small Orchestra | |
| 44 | IV. The Cat Has... | 0:53 |
| 45 | I. Uncle Armand | 0:50 |
| 46 | Chinese March | 3:38 |
| 47 | - Part Two | |
| 48 | Apothéose D'Orphée | 2:53 |
| 49 | - Part One | |
| 50 | IV. Dance Of The Gipsy Girls | 0:55 |
| 51 | The Firebird | |
| 52 | The Appearance Of The Thirteen Enchanted Princesses | 2:24 |
| 53 | Infernal Dance Of Kashchei's Subjects | 4:41 |
| 54 | Pantomime II | 0:22 |
| 55 | Ode - Elegiacal Chant In Three Parts | |
| 56 | III. Rondoletto | 2:50 |
| 57 | Do Not Go Gentle Into That Good Night | 4:19 |
| 58 | VII. Lacrimosa | 1:39 |
| 59 | "Farewell For Now" | 5:10 |
| 60 | I. Asciugate I Begli Occhi Madrigale XIV, Libro Quinto | 2:28 |
| 61 | III.(b) Allegro | 1:02 |
| 62 | VIII.(b) Finale | 2:09 |
| 63 | II. Theme With Variations | 4:31 |
| 64 | Gavotte With Two Variations | 9:33 |
| 65 | IV. Madrid | 2:27 |
| 66 | Epitaphium For The Tombstone Of Prince Max Egon Zu FürstenbergClarinet – Kalman BlochFlute – Arthur Gleghorn | 1:12 |
| 67 | Bluebird - Pas De Deux | |
| 68 | II. Larghetto Concertante | 5:43 |
| 69 | Spring Round Dances | 3:05 |
| 70 | The Devil's Dance | 1:25 |
| 71 | Piano-Rag Music | 3:12 |
| 72 | IV. Dance Of The Gipsy Girls | 1:08 |
| 73 | Canticum Sacrum Ad Honorem Sancti Marci Nominis | |
| 74 | -- Scene 3 - Bedlam | |
| 75 | Variation De Polymnie: Allegro | 1:16 |
| 76 | Coda | 1:40 |
| 77 | The Firebird's Entreaty | 5:16 |
| 78 | The Emperor's Recovery | 1:23 |
| 79 | I. Sinfonia (Ouverture) | 1:56 |
| 80 | Mock Abduction | 1:17 |
| 81 | A Room In The Palace Of The Emperor | 1:18 |
| 82 | II. Notturno. Adagietto | 4:33 |
| 83 | II. Pas D'Action | |
| 84 | - Scene 2 | |
| 85 | IV. Pas De Deux | |
| 86 | A Lyke-Wake Dirge (Versus III. 2nd Interlude) | 1:41 |
| 87 | Octet For Wind Instruments | |
| 88 | Part III | 11:56 |
| 89 | Song Of The Nightingale - Symphonic Poem For Orchestra | 18:46 |
| 90 | Circus Polka - Composed For A Young Elephant | 3:30 |
| 91 | Variation D'Apollon (Apollon Et Les Muses) | 2:55 |
| 92 | Variation V (L'Altra Sorte Del Canone Al Rovescio) | 2:41 |
| 93 | II. Eclogue I | 2:07 |
| 94 | I. Andante | 1:17 |
| 95 | I. The Drake | 1:17 |
| 96 | VIII. Libera Me | 1:00 |
| 97 | I. Sinfonia | 3:57 |
| 98 | Monumentum Pro Gesualdo Di Venosa Ad CD Annum | |
| 99 | Pantomime | 0:31 |
| 100 | Petrushka (Suite) | |
| 101 | Variation III (In Canone Alla Settima) | 2:16 |
| 102 | III. Polka | 1:01 |
| 103 | III. Thème Varié | |
| 104 | II. Exaudi | 1:44 |
| 105 | Symphony In E-flat, Op. 1 | |
| 106 | Two Poems Of Paul Verlaine | |
| 107 | Danses Concertantes For Chamber Orchestra | 18:24 |
| 108 | Perséphone - Melodrama In 3 Parts | |
| 109 | Fireworks / Feuerwerk / Feu D'Artifice | 3:41 |
| 110 | V. Dance Of The Coachmen And Grooms | 2:10 |
| 111 | Tarantella | 4:20 |
| 112 | The Wedding | |
| 113 | II. Valse | 2:06 |
| 114 | III. Allegro | 5:04 |
| 115 | The Sudden Appearance Of Ivan Tsarevitch | 1:02 |
| 116 | Cat's Cradle Songs | |
| 117 | II. Napolitana | 1:13 |
| 118 | "The Sun Is Bright" | 2:28 |
| 119 | A Lyke-Wake Dirge (Versus IV. Postlude) | 1:41 |
| 120 | I. Largo. Allegro - Maestoso | 7:10 |
| 121 | III. Finale | 3:31 |
| 122 | III. Solacium | |
| 123 | II. Persephone In The Underworld | 26:37 |
| 124 | Concerto For Piano And Wind Instruments (Revised Version, 1950) | |
| 125 | "Come, Tom" | 5:01 |
| 126 | III. A Prayer (From Thomas Dekker) | 3:51 |
| 127 | II. Song | 2:34 |
| 128 | Duo Concertant For Violin And Piano | |
| 129 | III. Dies Irae | 0:53 |
| 130 | III.(a) Scherzino | 1:46 |
| 131 | Ave Maria (Revised Version, 1949) | 1:23 |
| 132 | Pantomime I | 0:26 |
| 133 | II. Eclogue | 2:50 |
| 134 | Adagio | 3:02 |
| 135 | Eight Instrumental Miniatures For Fifteen Players | |
| 136 | Coda | 1:27 |
| 137 | "Here I Stand" | 2:34 |
| 138 | -- Scene 1 - The Garden Of Truelove's House In The Country | |
| 139 | II. A Narrative. The Stoning Of St. Stephen (Acts VI-VII) | 7:29 |
| 140 | "With Air Commanding" | 2:34 |
| 141 | IV. Master Portly | 1:09 |
| 142 | A Sermon, A Narrative And A Prayer - Cantata | |
| 143 | The Owl And The Pussy-CatPiano – Robert CraftWords By [Text] – Edward Lear | 2:36 |
| 144 | Adagio | 2:00 |
| 145 | Entr'acte: Breezes | 2:13 |
| 146 | Air De Danse | 3:14 |
| 147 | Scherzo. Dance Of The Princesses | 2:28 |
| 148 | The Firebird (Suite) (Revised Version, 1945) | |
| 149 | II. Scherzo. Allegretto | 6:06 |
| 150 | I. Querimonia | |
| 151 | Melodrama | 4:50 |
| 152 | Capriccio For Piano And Orchestra | |
| 153 | IV.Tarantella | 1:14 |
| 154 | Variations (The Firebird) | 1:21 |
| 155 | The Flood (Choreography) | 2:32 |
| 156 | Scherzo À La Russe | 4:05 |
| 157 | III. Tsaraiuki | 1:26 |
| 158 | IV. ♪ = 80 | 1:36 |
| 159 | In Memorium Dylan Thomas | |
| 160 | I. The Shepherdess | 2:56 |
| 161 | II. Largo | 7:00 |
| 162 | Tilim-bom / Klabum-klabam - A Story For Children | 1:02 |
| 163 | I. Intrada | 2:27 |
| 164 | The Princesses' Game With Apples Of Gold (Scherzo) | 2:23 |
| 165 | Conclusion, Larghetto | 2:28 |
| 166 | II. Ovsen | 0:45 |
| 167 | VI. Gavotta Con Due Variazioni | 4:17 |
| 168 | Agnus Dei | 2:43 |
| 169 | Dirge-Canons (Postlude) | 1:35 |
| 170 | Serenade In A | |
| 171 | I. ♪ = 110 | 1:57 |
| 172 | Apothéose: Largo Et Tranquillo | 3:13 |
| 173 | Threni (Id Est Lamentationes Jeremiae Prophetae) | |
| 174 | Variation | 1:22 |
| 175 | III. Cantique | 4:17 |
| 176 | I. A Sermon (From St. Paul) | 4:01 |
| 177 | Westron Wind (Soprano And Tenor) | 2:11 |
| 178 | Mavra - Opera Buffa In One Act After PushkinAlto Vocals – Patricia RideoutLibretto By – Boris KochnoSoprano Vocals – Susan Belinck | 27:47 |
| 179 | Pas De Deux | 2:49 |
| 180 | III. Bye Bye | 1:16 |
| 181 | I. Prelude | 1:06 |
| 182 | Coda (Apollon Et Les Muses): Vivo - Tempo Sostenuto - Agitato | 3:19 |
| 183 | I. Danse | 1:04 |
| 184 | Double Pas De Quatre | 1:38 |
| 185 | Introduction (Lento) | 2:57 |
| 186 | Prologue | 8:14 |
| 187 | Airs By A Stream | 2:28 |
| 188 | A Lyke-Wake Dirge (Versus II. 1st Interlude) | 1:41 |
| 189 | BabelNarrator – John Calicos | 5:13 |
| 190 | -- Scene 2 - Mother Goose's Brothel, London | |
| 191 | I. Marche. Introduction | |
| 192 | Petrushka's Room | 4:03 |
| 193 | Pas De Deux | 5:03 |
| 194 | Zvezdoliki - The Star-Faced One | 4:15 |
| 195 | Scherzino | 20:33 |
| 196 | Infernal Dance | 4:35 |
| 197 | Prologue - Acte I | 23:59 |
| 198 | III. Gigue | 3:54 |
| 199 | I. Presto | 6:30 |
| 200 | V. Marche. Conclusion | |
| 201 | III. Quattro Variazioni | 4:11 |
| 202 | Symphony In C | 7:55 |
| 203 | Lullaby (The Firebird) | 3:54 |
| 204 | III. Ad Tres Virtutes Hortationes (Caritas, Spes, Fides) | 8:04 |
| 205 | Sleeping Beauty | 2:17 |
| 206 | Four Trios | 2:31 |
| 207 | Triumphal March Of The Devil | 2:12 |
| 208 | III. Wedding Dance | 1:15 |
| 209 | III. ♪ = 72 | 1:07 |
| 210 | VI. Tempo Di Marcia | 1:04 |
| 211 | Symphonies Of Wind Instruments (Revised Version, 1947)Orchestra – Symphonieorchester Des Nordwestdeutschen Rundfunks | 9:11 |
| 212 | Triple Pas De Quatre | 1:10 |
| 213 | Faun And Shepherdess | |
| 214 | II. Andante Rapsodico | 5:01 |
| 215 | Four Etudes For Orchestra | |
| 216 | Portrait Of Stravinsky - Stravinsky In Rehearsal | |
| 217 | Petrushka's Room | 4:10 |
| 218 | Bransle Gay | 0:54 |
| 219 | "I Go To Him." | 1:58 |
| 220 | III. The Pik | 0:58 |
| 221 | III. Con Moto | 6:00 |
| 222 | II. Romanza | 2:30 |
| 223 | The Royal March | 2:38 |
| 224 | I. Allegro Moderato | 3:02 |
| 225 | - Scene 1 | |
| 226 | Games Of The Rival Tribes | 2:00 |
| 227 | Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | 11:55 |
| 228 | I. Con Moto | 6:25 |
| 229 | Requiem Canticles To The Memory Of Helen Buchanan Seeger | |
| 230 | III. Lento | 0:48 |
| 231 | The Nightingale - Lyric Tale In 3 Acts After H.C. Andersen | |
| 232 | Stravinsky In His Own WordsNarrator – John McClureVoice – Igor Stravinsky | 7:11 |
| 233 | III. The Torrent | 3:30 |
| 234 | IV. Preludio E Fuga | 4:22 |
| 235 | I. Moderato | 3:56 |
| 236 | IV. Jesus Autem Ait Illi | 3:07 |
| 237 | I. Vivace | 5:24 |
| 238 | I. Eulogy | 3:27 |
| 239 | Ritual Of The Ancestors | 3:19 |
| 240 | "How Strange!" | 5:41 |
| 241 | II. ♪ = 52 | 1:35 |
| 242 | Concerto In D For String Orchestra, "Basle Concerto" | |
| 243 | Introduction | 2:51 |
| 244 | Bransle Double | 1:31 |
| 245 | I. ♪ = 112 | 3:24 |
| 246 | Pulcinella - Ballet With Song In One Act (Music After) | |
| 247 | III. Aria II | 5:09 |
| 248 | IV. Gigue | 4:18 |
| 249 | Scherzo Fantastique | 11:45 |
| 250 | Ebony Concerto For Clarinet Solo And Big Band | |
| 251 | Prelude | 2:49 |
| 252 | The Flood - A Musical Play | |
| 253 | The Princesses' Round | 3:59 |
| 254 | III. The Charlatan's Booth | 1:50 |
| 255 | Solemn Procession | 1:09 |
| 256 | II. Passacaglia | 4:37 |
| 257 | Pribaoutki (Pleasant Songs) | |
| 258 | III. Eclogue II | 2:58 |
| 259 | VIII.(a) Minuetto | 2:07 |
| 260 | "Very Well, Then, My Dear" | 8:30 |
| 261 | Song Of The Nightingale | 3:48 |
| 262 | Interlude | 2:01 |
| 263 | II. A Russian Spiritual | 1:45 |
| 264 | I. On Saints' Days In Chigisakh | 1:22 |
| 265 | II. The Crowds | 4:20 |
| 266 | "As I Was Saying" | 5:33 |
| 267 | Movements For Piano And Orchestra | |
| 268 | Four Norwegian Moods For Orchestra | |
| 269 | -- Scene 2 - A Starless Night. A Churchyard | |
| 270 | Ricercar I (Soprano) The Maidens Came | 4:43 |
| 271 | Two Poems Of Konstantin Bal'mont | |
| 272 | "Love Too Frequently Betrayed" (Cavatina) | 3:40 |
| 273 | Danses (Corps De Ballet) | 1:03 |
| 274 | II. Adagietto | 4:55 |
| 275 | Petrushka - Burlesque In Four Scenes (Original 1911 Version) | |
| 276 | Part II | 6:16 |
| 277 | II. The Rook | 1:09 |
| 278 | - Act 1 | |
| 279 | The Rite Of Spring | |
| 280 | Greeting Prelude | 0:52 |
| 281 | Prélude | 0:50 |
| 282 | III. Dance Of The Peasant And The Bear | 1:29 |
| 283 | The Return Of The Nightingale | 7:00 |
| 284 | Piano ConcertoConductor – Philippe Entremont | 5:49 |
| 285 | The Firebird Appears, Pursued By Ivan Tsarevitch | 2:22 |
| 286 | III. Belta Poi Che T'Assenti Madigale II, Libro Sesto | 2:42 |
| 287 | Variation IV (In Canone All'Ottava Per Augmentationem) | 2:32 |
| 288 | Pas D'Action | 2:34 |
| 289 | Variation I (In Canone All'Ottava) | 1:16 |
| 290 | - | |
| 291 | - Act 3 | |
| 292 | I. ♪ = 88 | 3:21 |
| 293 | I. Persephone Abducted | 11:37 |
| 294 | IV. Tuba Mirum | 0:57 |
| 295 | Dedicatio | 0:41 |
| 296 | "Gently, Little Boat" (Lullaby) | 5:50 |
| 297 | II. Sensus Spei | |
| 298 | I. The Shrove-Tide Fair (Near Evening) | 1:11 |
| 299 | I. The Shrove-tide Fair | 0:50 |
| 300 | I. Tempo Giusto | 4:22 |
| 301 | III.(c) Andantino | 1:17 |
| 302 | The Appearance Of The Firebird | 0:35 |
| 303 | Pantomime III | 1:05 |
| 304 | Gloria | 4:07 |
| 305 | IV. Cortège | 2:15 |
| 306 | Suite No. 1 For Small Orchestra | |
| 307 | Interlude | 0:50 |
| 308 | II. The Crowds | 4:17 |
| 309 | VII. Larghetto | 1:26 |
| 310 | VI. The Masqueraders | 2:22 |
| 311 | The Great Chorale | 2:28 |
| 312 | Pantomime | 2:06 |
| 313 | Serenata | 2:27 |
| 314 | The Arrival Of Kashchei The Immortal | 1:10 |
| 315 | II. Andante | 2:36 |
| 316 | Agon - Ballet For Twelve Dancers | |
| 317 | V. Interlude | 2:53 |
| 318 | Four Songs - For Voice, Flute, Harp And Guitar | |
| 319 | Chorale Variations On The German Christmas Carol "Vom Himmel Hoch, Da Konn' Ich Her" Johann Sebastian Bach | |
| 320 | A Village Fête | 11:20 |
| 321 | Concertino For 12 Instruments | 6:23 |
| 322 | Pas De Deux (The Firebird And Ivan Tsarevitch) | 4:21 |
| 323 | II. Surge, Aquilo | 2:45 |
| 324 | "I Burn! I Freeze!" | 3:38 |
| 325 | Concerto In E-flat For Chamber Orchestra, "Dumbarton Oaks" | |
| 326 | II. Serenata | 3:05 |
| 327 | The Birth Of Apollo: Largo - Allegro - Tempo I | 4:30 |
| 328 | Pas De Deux | 1:34 |
| 329 | "Where Art Thou, Venus?" | 5:00 |
| 330 | II. Andante - Interlude: L'Istesso Tempo | 5:59 |
| 331 | The Little Concert | 2:59 |
| 332 | IV. The Old Man And The Hare | 1:53 |
| 333 | De Elegia Prima | 7:43 |
| 334 | Incipit | 0:54 |
| 335 | - Scene 4 | |
| 336 | I. Overture. Allegro | 9:27 |
| 337 | III. Waltz (Ballerina And Moor) | 3:05 |
| 338 | Three Little Songs (Recollections Of My Childhood) | |
| 339 | Orpheus - Ballet In Three Scenes | |
| 340 | III. Allegretto | 4:36 |
| 341 | "Master, Are You Alone?" | 4:46 |
| 342 | Pulcinella (Suite) - For Chamber Orchestra (Music After) | |
| 343 | Pastorale | 2:36 |
| 344 | - First Pas De Trois | |
| 345 | The Furies | 3:11 |
| 346 | -- Scene 3 - Autumn. The Garden Of Truelove's House In The Country | |
| 347 | II. The Oven | 0:24 |
| 348 | Abraham And Isaac - Sacred Ballad For Baritone And Chamber OrchestraBaritone Vocals – Richard Frisch | 10:29 |
| 349 | Recollections Of My ChildhoodConductor – Cathy Berberian | 1:18 |
| 350 | Third Deal | 7:33 |
| 351 | III. Persephone Restored | 17:41 |
| 352 | Concerto In D For Violin And Orchestra | |
| 353 | Four Russian Peasant Songs - For Chorus Of Equal Voices With Four Horns | |
| 354 | The Comedy (Noah And His Wife) | 1:44 |
| 355 | Scene 2 - At The Bridegroom's | 6:06 |
| 356 | Kyrie | 2:39 |
| 357 | "Aha!" | 5:33 |
| 358 | Death Of Kashchei - Profound Darkness | 1:21 |
| 359 | Adoration Of The Earth (The Wise Elder) | 0:25 |
| 360 | IX. Postlude | 2:12 |
| 361 | II. Excentrique | 2:21 |
| 362 | IV. Russian Dance | 2:41 |
| 363 | Variation De Terpsichore: Allegretto | 1:30 |
| 364 | IV. Allegretto | 0:59 |
| 365 | Ivan Tsarevitch Captures The Firebird | 1:00 |
| 366 | The White Moon Shines In The Woods | 3:49 |
| 367 | VII. Vivo (Duetto) | 1:38 |
| 368 | Credo (Revised Version, 1964) | 2:41 |
| 369 | Pas De Quatre | 1:48 |
| 370 | VI. Rex Tremendae | 1:24 |
| 371 | Air De Danse - Interlude - Air De Danse | 3:35 |
| 372 | II. Dance Of The Wet Nurses | 2:39 |
| 373 | Pater Noster (Revised Version, 1949) | 1:43 |
| 374 | Apollo (Apollon Musagète) - Ballet In Two Scenes | |
| 375 | - De Elegia Tertia | 18:05 |
| 376 | I. Moderato Alla Breve | 9:24 |
| 377 | Second Deal | 9:44 |
| 378 | Prelude | 0:33 |
| 379 | III. The Colonel | 0:44 |
| 380 | Part I | 3:23 |
| 381 | Scene 1 - The Bride's Chamber | 5:12 |
| 382 | "Prepare Yourselves, Heroic Shades." | 3:46 |
| 383 | Choral | 0:39 |
| 384 | Four Duos | 0:33 |
| 385 | Mystical Circles Of The Young Girls | 2:50 |
| 386 | III. Rondo. Allegro | 3:20 |
| 387 | I. The Shrove-tide Fair (Near Evening) | 1:18 |
| 388 | Overture | 1:55 |
| 389 | Pulcinella | 2:46 |
| 390 | Credo | 3:59 |
| 391 | I. On The Stove | 0:41 |
| 392 | III. When Daisies Pied | 2:31 |
| 393 | Kaschei's Spells Are Broken; His Palace Disappears, The Stone Knights Return To Life, Joy Reigns | 2:49 |
| 394 | Oedipus Rex: Opera - Oratorio In Two Acts After Sophocles (Revised Version, 1949) | |
| 395 | The Augurs Of Spring (Dance Of The Young Girls) | 3:03 |
| 396 | I. Cantilène | 2:55 |
| 397 | Lullaby (The Firebird) | 2:32 |
| 398 | IV. Tilim-bom | 1:08 |
| 399 | Pastorale - Song Without Words (1933 Version) | 2:52 |
| 400 | Sleep | 1:39 |
| 401 | III. Epitaph | 4:04 |
| 402 | "There He Is. Have No Fear. He Is Not Dangerous." | 6:19 |
| 403 | Interlude | 0:52 |
| 404 | "The Woods Are Green" | 4:41 |
| 405 | Kashchei's Enchanted Garden | 1:31 |
| 406 | Variation II | 0:41 |
| 407 | I. Euntes In Mundum | 1:39 |
| 408 | Prelude | 2:22 |
| 409 | Kashchei's Dialogue With Ivan Tsarevitch | 1:03 |
| 410 | "I Go To Him." (Cabaletta) | 2:51 |
| 411 | Sonata For Piano | |
| 412 | Card Game - Ballet In Three Deals | |
| 413 | II. Vivace | 0:27 |
| 414 | A Lyke-Wake Dirge (Versus I. Prelude) | 1:45 |
| 415 | Apothéose | 2:13 |
| 416 | Danses (Corps De Ballet & Ballerine) | 4:14 |
| 417 | III. Con Moto | 5:08 |
| 418 | Pantomime | 0:27 |
| 419 | II. Ma Tu, Cagion Di Quella Madrigale XVIII, Libro Quinto | 1:56 |
| 420 | Dirge-Canons | 1:33 |
| 421 | Variation D'Apollon: Lento | 2:07 |
| 422 | Coda | 1:41 |
| 423 | Introitus - T. S. Elliot In Memoriam | 3:51 |
| 424 | The Fairy's Kiss | |
| 425 | Sanctus | 3:16 |
| 426 | Dance Of The Earth | 1:15 |
| 427 | I. Music To Hear | 2:33 |
| 428 | The Building Of The Ark (Choreography) | 2:34 |
| 429 | -- Scene 3 - The Morning Room In Rakewell's House | |
| 430 | Épilogue: The Lullaby Of The Land Beyond Time And Place | 6:16 |
| 431 | II. At Home | 0:59 |
| 432 | II. Aria I | 4:10 |
| 433 | Renard The Fox (A Burlesque Tale In Song And Dance)Baritone Vocals – William Murphy Cimbalom – Toni Koves | 15:32 |
| 434 | Introduction | 16:35 |
| 435 | V. Illi Autem Profecti | 1:52 |
| 436 | Variation De Calliope (L'Alexandrin): Allegretto | 1:31 |
| 437 | Introduction (Largo) | 3:42 |
| 438 | I. The Flower | 1:11 |
| 439 | Interlude | 1:05 |
| 440 | Pas De Deux | 4:14 |
| 441 | Septet | |
| 442 | V. Dance Of The Coachmen | 2:10 |
| 443 | Symphony In Three Movements | |
| 444 | Double Canon For String Quartet - Raoul Dufy In MemoriamCello – George NeikrugViola – Sanford SchonbachViolin – Otis Igleman | 1:22 |
| 445 | The Covenant Of The Rainbow | 3:28 |
| 446 | "Vary The Song, O London, Change!" | 6:42 |
| 447 | I. The Shrove-tide Fair | 0:51 |
| 448 | III. Moderato; Con Moto | 3:44 |
| 449 | "How Dark And Dreadful Is This Place." | 4:42 |
| 450 | Variation II (Alio Modo Canone Alla Quinta) | 1:08 |
| 451 | II. Allegretto | 4:16 |
| 452 | III. Geese And Swans | 0:35 |
| 453 | II. Mazatsumi | 1:00 |
| 454 | "Sold! Annoyed! I've Caught You! Thieving!" | 6:28 |
| 455 | VII. Conclusion (Petrushka's Death) | 2:56 |
| 456 | Dawn (Ivan Tsarevitch Enters Kashchei's Palace) | 1:36 |
| 457 | Variation I | 0:46 |
| 458 | The Courtiers | 0:40 |
| 459 | IV. Capriccio | 5:55 |
| 460 | -- Scene 1 - The Morning Room Of Rakewell's House | |
| 461 | II. The Faun | 3:20 |
| 462 | II. Dance Of The Ballerina | 0:45 |
| 463 | The Rake's Progress (Opera In Three Acts) | |
| 464 | II. Tema Con Variazioni | 7:13 |
| 465 | Acte II | 26:05 |
| 466 | Epilogue "Good People, Just A Moment:" | 2:34 |
| 467 | Preludium For Jazz Ensemble | 1:29 |
| 468 | Three Songs From William Shakespeare | |
| 469 | Mass For Mixed Chorus And Double Wind Quintet | |
| 470 | V. Dithyrambe | 3:00 |
| 471 | Elegy For J.F.K.Clarinet – Charles Russo, Jack Kreiselman, Paul E. HowlandWords By [Text] – W.H. Auden | 1:54 |
| 472 | IV. Cadenza Finale | 2:55 |
| 473 | Sacrificial Dance (The Chosen Victim) | 4:35 |
| 474 | Scene 4 - The Wedding Feast | 10:24 |
| 475 | Anthem (The Dove Descending Breaks The Air)Words By [Text] – T.S. Eliot | 3:41 |
| 476 | II. Full Fathom Five | 2:00 |
| 477 | Saraband Step | 1:19 |
| 478 | "My Tale Shall Be Told" | 2:12 |
| 479 | Coda | 2:12 |
| 480 | Final Hymn | 3:23 |
| 481 | Scene 3 - The Bride's Departure | 3:11 |
| 482 | Sonata For 2 Pianos | |
| 483 | Variations - Aldous Huxley In Memoriam | 4:54 |
| 484 | Glorification Of The Chosen Victim | 1:38 |
| 485 | - Second Pas De Trois | |
| 486 | Cantata | |
| 487 | IV. Balalaika | 0:55 |
| 488 | - Part Two - The Sacrifice | |
| 489 | Gaillarde | 1:18 |
| 490 | Performance Of The Mechanical Nightingale | 0:59 |
| 491 | The Sound Of Enchanted Bells; Monsters Appear, Kashchei's Guards, And Take Ivan Tsarevitch Prisoner | 1:26 |
| 492 | Kashchei's Followers Dance Under The Firebird's Spell | 0:49 |
| 493 | I. Allegro Moderato | 11:26 |
| 494 | Bransle Simple | 0:58 |
| 495 | I. Akahito | 0:50 |
| 496 | Kashchei Awakes | 1:07 |
| 497 | Ragtime For 11 InstrumentsCimbalom – Toni Koves | 4:39 |
| 498 | I. Toccata | 5:35 |
| 499 | I. The Moor's Room | 2:33 |
| 500 | "Tom Rakewell?" | 7:03 |
| 501 | Dance Of The Firebird | 1:27 |
| 502 | Prelude | 6:07 |
| 503 | Three Dances (Tango, Waltz, Ragtime) | 5:51 |
| 504 | Symphony Of Psalms (Revised Version, 1948) | |
| 505 | IV. Galop | 1:45 |
| 506 | Orphée | 2:52 |
| 507 | I. Marche | 1:14 |
| 508 | III. Allegretto | 1:37 |
| 509 | Pas D'Action | 1:56 |
| 510 | Pas D'Action (Apollon Et Les Trois Muses: Calliope, Polymnie Et Terpsichore): Moderato | 4:37 |
| 511 | - Part One - The Adoration Of The Earth | |
| 512 | V. Moderato Alla Breve | 0:57 |
| 513 | First Deal | 5:17 |
| 514 | Apollo | 4:46 |
| 515 | I. Andantino | 0:57 |
| 516 | "Anne! Here!" (Duet) | 3:30 |
| 517 | VIII. Tempo Di Tango | 1:08 |
| 518 | Rondo (Corovod) | 4:14 |
| 519 | -- Scene 1 - The Morning Room Of Rakewell's House In A London Square | |
| 520 | I. Hymne | 2:57 |
| 521 | Introduction | 2:22 |
Lyrics for Tracks 20-11 to 20-17 Anonym 15th/16th Century.
Text for Track 20-23 from Moses I, XI, 1-9
Text for Track 22-5 from Moses I, XII, 1-19
Tracks 1-1 to 1-22 rec. Hollywood 23.25/1/1961
Tracks 1-23, 1-25 rec. NYC 17/12/1963
Track 1-24 rec. Toronto 1/12/1962
Tracks 2-1 to 2-15 rec. Hollywood 12.17/2/1960
Tracks 2-16 to 2-29 rec. NYC 5.6/1/1960
Tracks 3-1 to 3-4 rec. Hollywood 21/12/1959
Track 3-5 rec. NYC 26/1/1962
Tracks 3-6 to 3-14 rec. 10.13/2/1961
Tracks 4-1 to 4-10 rec. NYC 29/6/1964
Tracks 4-11 to 4-26 rec. Hollywood 18/6/1957
Tracks 4-27 to 4-29 rec. Cleveland 13/3/1964
Tracks 5-1 to 5-9 rec. Toronto 28/3/1963
Tracks 5-10 to 5-13 rec. NYC 17/12/1964
Tracks 5-14 to 5-22 rec. Hollywood 19.20/8/1965
Tracks 6-1 to 6-5 rec. Hollywood 23/8/1965
Tracks 6-6 to 6-16 rec. Chicago 20/7/1964
Tracks 7-1 to 7-11 rec. Hollywood 12.16/2/1960
Tracks 7-12 to 7-22 rec. Hollywood 25/8/1965
Tracks 7-23 to 7-34 rec. Hollywood 18/1/1967
Tracks 8-1 to 8-4 rec. Hollywood 2/5/1966
Tracks 8-5, 8-7 rec. NYC 12/1964
Track 8-6 rec. NYC 12/1963
Track 8-8 rec. NYC 8/1965
Track 8-9 rec. NYC 5/1974
Track 8-10 rec. Toronto 12/1962
Tracks 9-1 to 9-3 rec. Hollywood 1/2/1961
Tracks 9-4 to 9-7 rec. Toronto 2.3/12/1962
Tracks 9-8 to 9-10 rec. Toronto 30/3/1963
Tracks 10-1 to 10-3 rec. NYC 13/5/1964
Tracks 10-4 to 10-8 rec. Hollywood 12/2/1961
Tracks 10-9 to 10-11 rec. NYC 3/1/1966
Tracks 10-12 to 10-15 rec. Hollywood 29.30/6/1960
Track 11-1 rec. NYC 17/12/1963
Tracks 11-2 to 11-5, 11-13 to 11-17 rec. Toronto 29/3/1963
Tracks 11-6 to 11-9 rec. Toronto 30/3/1963
Tracks 11-10 to 11-12 rec. Hollywood 29/3/1964
Tracks 11-18 to 11-20 rec. NYC 17/12/1963
Tracks 11-21 to 11-28 rec. Toronto 29/4/1962
Tracks 11-29 to 11-32 rec. Toronto 29/11.1/12/1962
Tracks 12-1, 12-7, 12-12 to 12-14 rec. NYC 27/4/1965
Tracks 12-2, 12-11 rec. Hollywood 26/10/1965
Tracks 12-3 to 12-5 rec. NYC 5/1/1961
Track 12-6 rec. NYC 26/1/1962
Tracks 12-8 to 12-10 rec. Hollywood 27/10/1965
Track 12-15 rec. 1951
Tracks 13-1 to 13-5 rec. 11.13/10/1945
Tracks 13-6 to 13-9, 13-14 rec. Paris 5.13/7/1934
Tracks 13-10 to 13-3 rec. Paris 16/2/1938
Tracks 13-15 to 13-17 rec. NYC 30/11/1961
Tracks 13-18 to 13-20 rec. NYC 28.30/12/1960
Tracks 14-1 to 14-13 rec. Washington D.C. 29.31/12/1960
Track 14-14 rec. Toronto 7/5/1964
Tracks 15-1 to 15-3 rec. Toronto 8/5/1964
Track 15-4 rec. Hollywood 26/9/1966
Track 15-5 rec. Hollywood 11/12/1964
Tracks 15-6, 15-7 rec. Hollywood 24/1/1967
Tracks 15-8 to 15-10 rec. Hollywood 10/6/1968
Tracks 15-11 to 15-17 rec. NYC 11/12/1964
Tracks 15-18 to 15-21 rec. NYC 1/12/1964
Tracks 15-22 to 15-25 rec. Hollywood 2/8/1965
Tracks 15-26 to 15-29 rec. Hollywood 30/11/1965
Tracks 15-30 to 15-32, 15-36 rec. NYC 14/12/1964
Tracks 15-33 to 15-35 rec. Hollywood 27/11/1965
Track 15-37 rec. rec 18/8/1967
Track 15-38 rec. Hollywood 23/1/1967 & 10/6/1968
Tracks 16-1 to 17-15 rec. London 6/1964
Tracks 18-1, 18-2 rec. Washington D.C. 20/1/1961
Tracks 18-3 to 18-9 rec. Hollywood 28.31/3/1962
Tracks 19-1 to 19-3 rec. Hollywood 4.7/5/1966
Tracks 19-4 to 19-6 rec. Cleveland 13/3/1964
Tracks 19-7 to 19-9 rec. Hollywood 9/6/1966
Tracks 20-1 to 20-6 rec. Toronto 30/3/1963
Tracks 20-7, 20-23 rec. Toronto 29/11/1962
Tracks 20-8, 20-10 rec. Toronto 8/5/1964
Track 20-9 rec. Hollywood 20/8/1964
Tracks 20-11 to 20-17 rec. Hollywood 27/11/1965
Tracks 20-18 to 20-22 rec. Hollywood 5/6/1960
Tracks 21-1 to 21-6 rec. Hollywood 19/6/1957
Track 21-7 rec. NYC 9/2/1966
Tracks 21-8 to 21-11 rec. Toronto 29/4/1962
Tracks 21-12 to 21-15 rec. NYC 5.6/1/1959
Track 22-1 rec. Hollywood 23/1/1967
Track 22-2 rec. Hollywood 20/1/1967
Track 22-3 rec. NYC 14/12/1964
Track 22-4 rec. Hollywood 25/1/1961
Track 22-5 rec. Hollywood 24/1/1967 & 11/7/1969
Tracks 22-6 to 22.15 rec. NYC 11/10/1966
Ⓟ 1991 © 2007 Sony BMG Music Entertainment.
Distributed by Sony BMG Music Entertainment.
Made in the EU.
Packaging: 22 individual card wallets in a box. Includes a booklet in English, German and French (Liner notes © 2007).
The Ballet Works of Igor Stravinsky - Igor Stravinsky. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. This is a list of compositions by Igor Stravinsky. The Nightingale Le Rossignol, 3-act opera 1914. Renard, a burlesque for 4 pantomimes and chamber orchestra 1916. L'Histoire du soldat The Soldier's Tale, for chamber ensemble and three speakers 1918. Mavra, one-act opera 1922. Oedipus rex, 2-act opera-oratorio 1927. Perséphone, mélodrame for speaker, soloists, chorus and orchestra 1933. The Rake's Progress, 3-act opera 1951. The Flood, television opera 1962. With Works of Igor Stravinsky, SonyBMG is offering Sony Classics' massive Stravinsky box of 22 CDs, which once retailed at a faint-inducing price tag, for less than one-sixth of the original cost. Certainly more of these will get around than the old Recorded Legacy box did so prohibitively expensive, such boxes would sit at the counter of finer classical music stores for years as a never-purchased luxury item. The Philharmonic Symphony Orchestra Of New York. 2020 LOiseau De Feu - New Augmented Version. Igor Stravinsky - Florilège de la Musique Classique Moderne et Contemporaine - Highlihts of Modern and Contemporary Classical Music - Vol. Ferenc Fricsay. Songs in album Игорь Стравинский - Works Of Igor Stravinsky: Concertos 2007. Игорь Стравинский - Concerto For Piano And Wind Instruments Revised Version, 1950 : I. Largo Allegro - Maestoso. Igor Stravinsky. This page is run by Boosey & Hawkes. See actions taken by the people who manage and post content. Page created 17 March 2009. Stravinsky Conducts Stravinsky - Igor Stravinsky. Stravinsky's ballet The Rite of Spring 1913, a work of exotic and primal character, marked a shift in modern Western music. In early pieces like Fireworks 1908 an. read more. similar to. igorstravinsky Albums. Works of Igor Stravinsky. Listen free to Igor Stravinsky Works of Igor Stravinsky The Firebird: Introduction, The Firebird: Scene 1. Kaschei's Enchanted Garden and more. 200 tracks 674:47. Discover more music, concerts, videos, and pictures with