Ghost - Opus Eponymous mp3

Tracklist

Versions

Credits

• Artwork – Basilevs 254
• Design – Trident Arts
• Mixed By, Mastered By – Jaime Gomes Arellano
• Performer [All Material Performed By] – Ghost
• Producer – Gene Walker
• Recorded By – Simon Söderberg
• Recorded By [Additional Recordings By] – Joakim Kärling
• Written-By [All Songs Written By] – A Ghoul Writer

Notes

Similar to Opvs Eponymovs, but this is a non-slipcover version. Comes packaged in a standard jewel case w/ clear tray. "Opus Eponymous" spelling on top wrap-around label sticker.

Barcodes

• Barcode: 0 39841 49672 7
• Matrix / Runout: 11/16/2015 04:51:56.PM #151304 IFPI LN08 2001131 01
• Mould SID Code: IFPI JI06

Companies

• Licensed From – Rise Above Records
• Recorded At – Manfire Recordings
• Recorded At – White Light Studio
• Mixed At – Orgone Mastering
• Mastered At – Orgone Mastering
• Phonographic Copyright (p) – Rise Above Records
• Copyright (c) – Rise Above Records
• Copyright (c) – Metal Blade Records
• Glass Mastered At – CDA ImPressing Solutions, USA – 2001131

Video

Album

Прямой эфир: 17 июл. 2017 г. Ghost - Opus Eponymous Picture Disc https. Ghost is the name of an anonymous devil worshipping ministry, that in order to spread its unholy gospels and, furthermore, trick mankind into believing the end is ultimately a good thing, have decided to use Eponymous Latin for the self-titled work is the debut studio album by Ghost. It was released on October 18, 2010, on the independent record label Rise Above. It was released in North America on January 18, 2011, and in Japan on April 6, 2011. The album was recorded in the band's hometown and produced by Gene Walker. Opus Eponymous was nominated for a Grammis Award. The Japanese release contains an additional bonus track: a cover of the Beatles' Here Comes the Sun . Opus Eponymous Latin for the self-titled work is the debut studio album by the Swedish rock band Ghost. The Japanese release contains an additional bonus track: a cover of the Beatles' Here Comes the Sun. Opus Eponymous. Publication date. Uploaded by the album art archive on August 5, 2019. SIMILAR ITEMS based on metadata. Listen free to Ghost Opus Eponymous Deus Culpa, Con Clavi Con Dio and more. 9 tracks 35:49. Opus Eponymous is the debut album by Swedish heavy metal band Ghost, released on October 18, 2010. The Japanese release contains an additional bonus track a cover of The Beatles' Here Comes the Sun. Opus Eponymous was released as CD and LP by Rise Above Records. Ghost - Opus Eponymous 2010. To favorites 21 Download album. Listen album. Heavy Metal Progressive Rock Occult Rock. Страна: Швеция. Songs in album Ghost - Opus Eponymous 2010. Ghost - Deus Culpa. Album 2010 9 Songs. Inspired by the genres more melodic sounds from the 70s and 80s, the satanic Swedes build darkly alluring songs from glassy harmonies, headbanger heft, and occult atmospheres. On Elizabeth, Beatles-esque hooks and funereal organ coil themselves around doom riffs equally catchy is Stand by Him, an ode to Lucifer laced with tuneful twin leads. Opus Eponymous is the self-titled debut album from Swedish satanic doom metal band Ghost. The title Opus Eponymous is Latin for self-titled work. Most of the album was written in 2007, around three years before it saw release on the independent Rise Above label. A Nameless Ghoul has explained the origin of the album and, indeed, the band: Very early on, when the material came together in the project phase before it was actually a band, when it was a logo and a couple of songs, it came together by itself because the material and the lyrics sort of screamed an over-the-top commitment to th. Ghost - Opus Eponymous 2010. Ghost's 2010 debut album, Opus Eponymous, confounds such expectations by rating no higher than a three or four out of ten on a third millennium scale of metallic heaviosity, if you catch the meaning. In other words, although its songs are rife with heavy metal's favorite subject matter and unmistakably menacing brand of staccato guitar riffing, the restraint of their attack, not to mention their production no overdriven amplifiers are to be found here, hark back to what passed for a metallic aesthetic during the very early '80s, or even before