Depeche Mode - Playing The Angel mp3

Tracklist

Credits

• Engineer – Ben Hillier, Richard Morris
• Mastered By – Emily Lazar
• Mastered By [Assistant] – Sarah Register
• Mixed By – Ben Hillier, Steve Fitzmaurice
• Producer – Ben Hillier
• Programmed By – Dave McCracken, Richard Morris
• Programmed By [Original Programming] – Andrew Phillpott (tracks: 3, 7, 8), Christian Eigner (tracks: 3, 7, 8)
• Recorded By [Assistant] – Arjun Argerwala, Nick Sevilla, Rudyard Lee Cullers
• Recorded By, Mixed By [Assistant] – Devin Workman, Kt Rangnick
• Written-By – Phillpott (tracks: 3, 7, 8), Eigner (tracks: 3, 7, 8), Gahan (tracks: 3, 7, 8), Martin L. Gore (tracks: 1, 2, 4 to 6, 9 to 12)

Notes

Official release date of "Playing The Angel" was the 17th October (UK), but the international copy available via Mute Germany was released on the 14th October (Germany's release day is Friday).
The booklet mistakenly credits Dave McCracken as the piano player in "I Want It All". However, there is no piano in "I Want It All". He really should be credited for the piano in "The Darkest Star."

The two cat.#(cdstumm260 0094634057707) are indicated on back cover and inside booklet.
Subtitle on the back cover: "Pain and suffering in various tempos".

Produced for 140dB.
Recorded at Sound Design, Santa Barbara; Stratosphere Sound Studios, New York
Recorded and mixed at Whitfield Studios, London
Tracks 1, 2, 4, 5, 6, 9, 10, 11 & 12 published by EMI Music Publishing Ltd.
Assigned by Grabbing Hands Music Overseas Ltd.
Tracks 3, 7 & 8 published by JJSR Productions Inc./Universal Music Publishing Ltd.
"John The Revelator" inspired by the traditional work of the same name.
All tracks mastered at The Lodge, New York.

℗ 2005 Venusnote Limited © 2005 Venusnote Limited under exclusive license to Mute Records Limited
------
Also later repress with identical catalogue number exist: Optimal media GmbH matrix, heavier paper booklet and ims Manufacturing

Barcodes

• Barcode (Scanned only): 094634057523
• Matrix / Runout: WWW.MEDIAMOTION.COM 3405770 @ 1
• Mastering SID Code: IFPI LW03
• Mould SID Code: ifpi AAH12
• Label Code: LC5834

Companies

• Phonographic Copyright (p) – Venusnote Limited
• Copyright (c) – Venusnote Limited
• Licensed To – Mute Records Ltd.
• Recorded At – Santa Barbara Sound Design
• Recorded At – Stratosphere Sound
• Recorded At – Whitfield Street Studios
• Mixed At – Whitfield Street Studios
• Mastered At – The Lodge, New York
• Published By – EMI Music Publishing Ltd.
• Published By – Grabbing Hands Music Overseas Ltd.
• Published By – JJSR Productions Inc.
• Published By – Universal Music Publishing Ltd.
• Pressed By – WWW.MEDIAMOTION.COM

Album

Playing the Angel - Depeche Mode. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Playing the Angel is the eleventh studio album by English electronic music band Depeche Mode. It was first released on 13 October 2005 through Mute Records internationally, and through Sire Records and Reprise Records in the United States. It was supported by the Touring the Angel tour and the four singles Precious, A Pain That I'm Used To, Suffer Well, and John the Revelator, Lilian. The album reached number one in over 10 countries and entered the top 10 in the United Kingdom and United. Depeche Mode Playing The Angel Album Genero: Synthpop - Downtempo Año: 2005 Formato: CD Album Fecha del CD: 2005 Pais de Orígen del CD: UK Sello: Mute. Формируйте собственную коллекцию записей Depeche Mode. Depeche Mode's 11th studio album. Includes the singles: Precious A Pain That I'm Used To Suffer Well John The Revelator, no mistake, Playing the Angel is not Depeche Mode's best, and wil never beat Violator, Music for the Masses or Black Celebration off the throne, but it's a powerful album from a band that has been around for almost 30 years and still sounds impressive. The lyrics are the only weak point of the whole thing. When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. Listen free to Depeche Mode Playing the Angel A Pain That I'm Used To, John the Revelator and more. 12 tracks 52:13. Playing the Angel is the eleventh full-length album by Depeche Mode and was released 17 October 2005. It was supported by the Touring the Angel tour. The album has been called a more organic record for using more analog synths than digital ones. In addition, most of the soundscapes presented are harsher and groovier than the more mellow Exciter. Playing the Angel 2005 - download the album and listen online. On this page you can listen to the album, get information about the album, see the list of songs and much more. Most important - you can download the album Playing the Angel to your computer or phone absolutely free of charge, and without registration. Listen online and stay in a good mood. Album: Playing the Angel 2005. Playing The Angel. Depeche Mode - Playing The Angel 2005. To favorites 73 Download album. Listen album. Alternative Rock Synthpop Industrial Rock. Depeche Mode. Один из лучших альбомов Depeche Mode, трудно сравнить с лучшими альбомами ULTRA, Violator каждый из них своеобразный, особенный. Очень жаль что Depeche Mode сей час не делает таких замечательных пластинок после Playing the Angel. Честно уже не верится что будет ещё что то подобное от них. Урия Гип. Альбом не плох , очень не плох. Вещица THE DARKEST STAR путает , накрывает и волочит по глухонемому . Album 2005 12 Songs. Playing the Angel. Alternative 2005. Damaged People explores gloomy themes of faith and mortality, with slow-building chords and chiming synths shining a new light compared to their 80s hits. Singer Dave Gahan pushes for the stars on Macro, his voice riding high above smoldering, distorted textures, and John the Revelator transforms a traditional gospel song into bruising industrial pop