Burial - Rival Dealer mp3

Performer: Burial
Title: Rival Dealer
Country: UK
Catalog Number: HDB080
Label: Hyperdub
Released: 11 Dec 2013
Style: UK Garage, Ambient, Abstract, Breakbeat
Rating: 4.8
Votes: 351

Burial Hyperdub Uk Garage Ambient Abstract Breakbeat 2013

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Tracklist

1	Come Down To Us	13:08
2	Hiders	4:44
3	Rival Dealer	10:47

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
HDB080	Burial	Rival Dealer ‎(12", EP)	Hyperdub	HDB080	Europe	2013
BRE-47	Burial	Rival Dealer ‎(CD, EP)	Beat Records	BRE-47	Japan	2013
HDB080CD	Burial	Rival Dealer ‎(CD, EP)	Hyperdub	HDB080CD	UK & Europe	2013
HDB080	Burial	Rival Dealer ‎(3xFile, FLAC, EP)	Hyperdub	HDB080	UK	2013
HDB080	Burial	Rival Dealer ‎(3xFile, MP3, EP, 320)	Hyperdub	HDB080	UK	2013

Video

Album

Rival Dealer is the seventh extended play by British electronic music producer Burial. It was released digitally by Hyperdub on 11 December 2013, with a physical release following five days later. On 2 December 2013, a Cargo Records distribution email revealed that record label Hyperdub would release a three-track EP of Burial material on 16 December in vinyl and CD formats, designated with the catalogue number HDB080. His first release since Truant, Rough Sleeper the year prior, it was also revealed. DM burial's music is a place to retreat to Favorite track: Rival Dealer. clrd clds. clrd clds Im not Burial, but if I were this would be my Magnum Opus. giuliaguizzardi The most emotional memories I have are connected to this album. Favorite track: Come Down To Us. RailCourt An EP that runs from aggressive to inspirational. The first track is among Burial's heaviest, and transitions seamlessly into the classic echoes that provide a unique sense of warmth and hope. Favorite track: Rival Dealer. Rival Dealer. Burial - Rival Dealer Rip Vinyl - Продолжительность: 10:49 Lionel Constantin 1 762. DEALER - Short film inspired by BURIAL's RIVAL DEALER EP. Язык: Русский. Страна: США. Listen free to Burial Rival Dealer Rival Dealer, Hiders and more. 3 tracks 28:37. Rival Dealer is the seventh extended play by British electronic music artist Burial. Unlike previous Burial releases, Rival Dealer maintains a significant theme throughout its 3 tracks. In a rare public message to BBC Radio 6 Music, Burial himself clarified that he wanted the songs to be anti-bullying tunes that could maybe help someone to believe in themselves, to not be afraid, and to not give up, and to know that someone out there cares and is looking out for them. Burial followed Truant almost exactly a year to the day with another mid-December EP that contains lengthy suite-like pieces. Compared to what preceded it, this is easily the producer's most emotional and story-like output. While it carries many of the expected Burial elements - scuffed-up breakbeats, surface noise, near-silent passages, sampled vocalists made to sound angelic - Rival Dealer is a significant departure. Genre: Future Garage. It's hard to believe the three tracks on this Rival Dealer EP are actually Burial tracks, because they bring the UK-based producer's sound in a such a different direction. We're not getting moody, skeletal dubstep tunes on this one, people. Get ready for some auto-tuned synth pop with a boatload of atmosphere. Burial's new EP, Rival Dealer, arrives almost exactly a year after the release of TruantRough Sleeper, but the stylistic leaps made on this release are wider, more jarring and revelatory, than anything in Burial's catalog. It's unquestionably the strongest release of his since 2012's Kindred, and his most satisfying statement of purpose since 2007's Untrue. Album 2013 3 Songs. More By Burial. See . Rival Dealer Tracklist. Rival Dealer Lyrics

Reviews (9)

Ziena

I'm revising my review from a few years ago, which was a snap judgement on my part in that I had only heard the titular track at the time of writing. That song, "Rival Dealer," is very good and was very much in line with what I was expecting to hear from Burial at the time. However, a lot of what happened on the rest of the EP was a big reason why I've found myself listening to less and less Hyperdub releases; with the one notable exception being the footwork producers they've signed in recent years (i.e. the Teklife crew). This is obviously a personal preference, but a lot of the reason I listen to electronic music is because I want to be sent to a place completely detached of all socio-political overtones. It's one thing if its an expected (an often welcome) consequence of listening to the artist; a great example is Godspeed You! Black Emperor, or any of the countless politically vocal punk bands of the 80s and 90s. On the other hand, with a producer like Burial who's known for developing a sound that's timeless in all occasions, this was a bit unexpected and disappointing. I really do appreciate what he was trying to do here, but it almost seems like he was trying to use an emotionally charged social issue as a substitute for his trademark production skill. There's a reason why nobody's really talking about this record any more, yet albums like Untrue, and even singles like Nova are still getting played on radio stations and showing up in the occasional DJ set. Burial took an opportunity for short-lived positive recognition from the likes of Pitchfork, rather than testing the boundaries of his musical expertise.

Uranneavo

A somewhat cynical view, no? Who says Burial released this record to gain 'short-lives positive recognition from the likes of Pitchfork' and not as a record for the listeners, not for critical acclaim. Something to inspire or give hope to a generation that listens to his music rather than for personal gain or acclaim. All things aside, this is brilliant music, emotive, poignant and well-produced.

Cildorais

Marvellous release, for me it's simply Burial's best job that he ever done. So experimental and exciting sounds, but still including that typical abstract Burial-feeling in them. "Hiders" is such a beauty!!

Zulurr

Some really good, full on, anthemic material. The tracks need an edit before I play them to someone a bit less partisan as I am as some bits do sound like the soundtrack to a corporate promo vid but hey I'm glad I get to listen to music like this! When he gets it right he is incomparable but yes its frustrating when you think why didn't he just leave that bit out or not do that. Easy to criticise when he's showing us so many possibilities. Trouble is, he's not reaching the next level because of the DIY / anything goes ethic of the electronic dance music scene. Hyperdub would probably release anything of his. He needs to sign to a major, be refined by an experienced producer and put out an album for the charts.

Gavinranadar

That's the last thing he needs to do. And he won't.

Wanenai

Rival Dealer is a polarizing release, as evident on this review board and on the comments on Hyperdub's facebook. People either love this or are hugely disappointed. At first glance, the tracks presented here are different than what you usually get from Burial. you still have those crackling vinyl samples, the high pitched vocal samples and the title track has that good ol' Jungle feeling.What makes it poluarizing is the style. Generally, the album is less about dubstep and less about Burial's previous styles. The tracks that presents here can be classified as a 4/4 track, the title track being rather aggressive and "cinematic" for a Burial release. "Hiders" is mostly ambient, until the 2:30 mark that reveals an 80's like beat. "Come Down to Us" is a downtempoish track, that, like the title track, can be accurately described as movements, as both tracks change the longer you listen to them. The title track, as mentioned, is surprisingly aggressive and, while it maintains the Jungle inspiration in it's second part, it's a 4/4 track with some surprisingly heavy ambient textuers. tugged away in the background and at the outro. "Come Down To Us" is a similar story in the ambient department, although the track is much slower, and eventually gears up for surprisingly "cinematic" section, which feels equally emotionally, equally uplifting and (to some) perhaps a bit cheesy, even if it does leave you with a smile.In essence, you can't call this a Burial release in name only. It still has that essential and classic Burial sound, so it feels like a progression and a development in his sound. It's also an EP that seems to bear an overall message of acceptance, love and sexuality (the final sample from "Come Down To Us," as well as several samples through the entire EP reveals this), which might prompt some to ponder whenever or not that final message is regarding Burial's sexuality (in similar vein to how Frank Ocean admitted his bisexuality on his Channel Orange album), or if Burial is merely showing support to people of similar sexual situations (fun fact: the person in that sample is Lana Wachowski, whom used to be Larry Wachowski, when he/she made The Matrix movies).Overall, Rival Dealer is a poularizing release; one that will undoubtly cause the fanbase to either accept it, reject it, or worryingly ponder it, question Burial's future. Personally, I love it. I can agree with people if they believe "Come Down To Us" is cheesy, but the uplifting feeling it leaves the listener in, can't be questioned. It's a new step for Burial, one that retains his signature sound and one that develops his music further. I would personally highly reconmend this EP, as one of 2013's best.

Zeks Horde

Not good.

Goktilar

Burial is ahead of his time.

Blacknight

Burial is ahead of his time for years by now