Bob Dylan - Blonde On Blonde mp3

Tracklist

Versions

Credits

• Design [Repackage Design] – Skouras Design
• Harmonica – Bob Dylan
• Mastered By – Greg Calbi
• Mixed By – Michael H. Brauer, Steve Berkowitz
• Performer [Musician] – Al Kooper, Bill Aikins, Charlie McCoy, Hargus Robbins, Henry Strzelecki, Jerry Kennedy, Joe South, Kenneth Buttrey, Jaime Robertson, Wayne Moss
• Photography By – Jerry Schatzberg
• Producer – Bob Johnston
• Reissue Producer – Steve Berkowitz
• Research [Tape] – Didier Deutsch
• Written-By – B. Dylan

Notes

Recorded at Columbia Recording Studios, Nashville, Tennessee. CD Stereo Mastering at Sterling Sound. CD Mixed at Quad Recording Studios.

Comes in a cardboard case.

Barcodes

• Barcode: 5 099751 235255

Video

Album

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on June 20, 1966 by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album-One of Us Must Know Sooner or Later. At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and. Blonde On Blonde - Bob Dylan. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Формируйте собственную коллекцию записей Bob Dylan. Blonde On Blonde Vol. 1 LP, Album. Продать эту версию. C2S 841, CS 9317. Bob Dylan. Blonde On Blonde 2xLP, Album. A Dylan performance for each track on the LP. that is except for ,Temporary Like Achilles' for which there is no known live performance, and 'Sad Blonde on Blonde, all the tension and angst of Highway 61 Revisited and Bringing It All Back Home were blown wide open to reveal pure freedom. Its rocks first double-album monument, where the distance between Dylans imagination and his music collapsed entirely: The closest I ever got to the sound I hear in my mind, he famously said, that thin, that wild mercury sound. With his creativity peaking, Dylan began entertaining the idea that the album might become a double LP. He left Nashville for some more concert dates and returned in mid-March to finish the record. Bob Dylan - Harmonica & Lead Guitar on Leopard-skin Pill-box Hat Charlie McCoy - Harmonica on Obviously 5 Believers Musicians - Wayne Moss, Charlie McCoy, Kenneth Buttrey, Hargus Robbins, Jerry Kennedy, Joe South, Al Kooper, Bill Aikins, Henry Strzelecki, Jaime Robertson. Produced by Bob Johnston. Blonde on Blonde. Bob Dylan - Blonde on Blonde 1966. To favorites 18 Download album. Listen album. Classic Rock Folk-Rock Blues Rock. Songs in album Bob Dylan - Blonde on Blonde 1966. Bob Dylan - Rainy Day Women 12 & 35. Bob Dylan - Pledging My Time. Bob Dylan - Visions of Johanna. Bob Dylan - One of Us Must Know Sooner or Later. Bob Dylan - I Want You. Bob Dylan - Stuck Inside of Mobile With the Memphis Blues Again. 07:05 320 Кб. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like Visions of Johanna, Just Like a Woman, and Sad Eyed Lady of the Lowlands. Blonde on Blonde is the seventh studio album of legendary singer-songwriter Bob Dylan, released sometime between May and July 1966 through Columbia Records. It was supported by the singles Just Like a Woman Obviously 5 Believers , I Want You , Rainy Day Women 12 & 35 Pledging My Time , Leopard-Skin Pill-Box Hat Most Likely You Go Your Way and Ill Go Mine and One of Us Must Know Sooner or Later. As the successor to arguably the magnum opus of Dylans di. Listen free to Bob Dylan Blonde on Blonde Rainy Day Women 12 & 35, Pledging My Time and more. 14 tracks 72:57. Blonde on Blonde is singer-songwriter Bob Dylan's seventh studio album, released in 1966 by Columbia Records. It is believed to be the first significant double album in rock music, its length forcing it to two LPs, although some digital reissues fit the album on one compact disc. It is notable for injecting Dylan's brand of blues rock, fully established on Highway 61 Revisited, with a more eclectic sound and even more surreal lyrics