MP3 2964 mb.
Performer: Bizet - Troyanos, Domingo, Van Dam, Te Kanawa, London Philharmonic Orchestra, John Alldis Choir, Sir Georg Solti
Title: Carmen
Country: Europe
Catalog Number: 414 489-2
Label: Decca
Style: Opera
Rating: 4.9
Votes: 958
| 1 | Prélude | 2:15 |
| 2 | Avez-vous Quelque Chose Á Répondre? | 3:52 |
| 3 | Je Suis Escamillo | 5:30 |
| 4 | Holà! Holà! José! | 8:34 |
| 5 | Voici L'ordre; Partez... | 2:05 |
| 6 | Carmen! Sur Tes Pas Nous Nous Pressons Tous! | 1:50 |
| 7 | Au Secours! Au Secours! | 4:35 |
| 8 | Dritter Akt • Act Three • Troisieme Acte | |
| 9 | Quant Au Douanier, C'est Notre Affaire! | 3:31 |
| 10 | Viva! Viva! | 3:50 |
| 11 | Au Quartier! Pour L'appel! | 2:54 |
| 12 | Vivat, Vivat Le Torero! | 1:36 |
| 13 | Bel Officier | 4:07 |
| 14 | Sur La Place, Chacun Passe | 7:28 |
| 15 | Votre Toast, Je Peux Vous Le Rendre | 7:35 |
| 16 | Je Vais Danser En Votre Honneur | 2:49 |
| 17 | Entr'acte | 2:07 |
| 18 | Non, Tu Ne M'aimes Pas! | 4:16 |
| 19 | Entr'acte | 1:43 |
| 20 | Erster Act • Act One • Premier Acte | |
| 21 | Vierter Akt • Act Four • Quatrieme Acte | |
| 22 | Les Tringles Des Sistres Tintaient | 6:10 |
| 23 | Je Dis Que Rien Ne M'épouvante | 6:06 |
| 24 | Avec La Garde Montante | 5:41 |
| 25 | La Fleur Que Tu M'avais Jetée | 3:51 |
| 26 | Les Voici, Les Voici | 7:55 |
| 27 | A Deux Cuartos! A Deux Cuartos! | 2:37 |
| 28 | La Cloche A Sonné | 5:02 |
| 29 | Zweitter Akt • Act Two • Deuxieme Acte | |
| 30 | Halte-là! Qui Va Là? | 2:28 |
| 31 | Nous Avons En Tête Une Affaire | 5:36 |
| 32 | Mais Nous Ne Voyons Pas La Carmencita! | 1:15 |
| 33 | Parle-moi De Ma Mère! | 10:04 |
| 34 | L'amour Est Un Oiseau Rebelle | 4:15 |
| 35 | Entr'acte | 2:38 |
| 36 | C'est Toi! | 5:31 |
| 37 | Mêlons! Coupons! | 8:09 |
| 38 | Près Des Remparts De Séville | 4:42 |
| 39 | Holà! Carmen! Holà! Holà! | 1:19 |
| 40 | Écoute, Écoute, Compagnon | 5:59 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| OSA 13115 | Georges Bizet | Carmen (3xLP + Box) | London Records | OSA 13115 | UK | 1976 |
| MFSL 3-530 | Bizet | Carmen (Box, Album) | Mobile Fidelity Sound Lab | MFSL 3-530 | US | 1984 |
| 6.35312 | Bizet | Carmen (3xLP + Box) | Decca | 6.35312 | Germany | 1978 |
| D11D 3 | Bizet | Carmen (3xLP + Box) | Decca | D11D 3 | Scandinavia | 1976 |
| D11D 3 | Bizet, Tatiana Troyanos, Placido Domingo, José van Dam, Kiri Te Kanawa, The London Philharmonic Orchestra, Georg Solti | Bizet, Tatiana Troyanos, Placido Domingo, José van Dam, Kiri Te Kanawa, The London Philharmonic Orchestra, Georg Solti - Carmen (3xLP + Box) | Decca | D11D 3 | France | Unknown |
Recording location: Henry Wood Hall, London, July and December 1975.
Exclusive discount for Prime members. Sample this album Artist - Artist Sample. By Georges Bizet - Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra & Sir Georg Solti. Carmen, Act I: Près des remparts de Séville - Tais-toi. By Georges Bizet - Tatiana Troyanos, Plácido Domingo, London Philharmonic Orchestra & Sir Georg Solti. By Georges Bizet - Tatiana Troyanos, Norma Burrowes, Jane Berbié, Pierre Thau, José Van Dam, John Alldis Choir, London Philharmonic Orchestra & Sir Georg Solti. Carmen, Act II: La fleur que tu m'avais jetée. By Georges Bizet - Plácido Domingo, London Philharmonic Orchestra & Sir Georg Solti. Carmen, Act III: Je dis que rien ne m'épouvante. London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Let Us Break Their Bonds Asunder. London Philharmonic Orchestra, Karl Richter, The John Alldis Choir, John Alldis 19. His Yoke Is Easy. The John Alldis Choir, London Philharmonic Orchestra, Karl Richter 42. Sir Georg Solti, London Philharmonic Orchestra, The John Alldis Choir, Tatiana Troyanos Mais nous ne voyons pas la Carmencita - L 2:06. London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Since By Man Came Death. José van Dam bass-baritone. choir vocals: The John Alldis Choir. mezzo-soprano vocals: Jane Berbié mezzo-soprano and Tatiana Troyanos mezzo-soprano. soprano vocals: Norma Burrowes soprano and Kiri Te Kanawa soprano. tenor vocals: Michel Roux baritone, 1924-1998 and Michel Sénéchal tenor. Carmen: Entr'acte - Act 3, Scene 2, A Deux Cuartos baritone vocals: José van Dam bass-baritone. bass vocals: Pierre Thau. Additional details. Type: Album. Status: Official. Tatiana Troyanos, The John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti - Mais nous ne voyons pas la Carmencita - L'amour est un oiseau rebelle 05:31. Tatiana Troyanos, The John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti - Mais nous ne vo. The John Alldis Choir. Bizet: Carmen. Tatiana Troyanos, Kiri Te Kanawa, Plácido Domingo, Sir Thomas Allen, The John Alldis Choir, London Philharmonic Orchestra. Puccini: Turandot. Tatiana Troyanos, Placido Domingo, Jose van Dam, Kiri Te Kanawa Vivat, vivat le torero Toreador Song - Кармен, Tatiana Troyanos, Placido Domingo, Jose van Dam, Kiri Te Kanawa. download 0:42. José Van Dam, Kiri Te Kanawa Di molte faci il lume. download 2:43. Kenneth Riegel, Edda Moser, Kiri Te Kanawa, Teresa Berganza, Malcolm King, José Van Dam Or che tutti, o mio tesoro, Al desio di chi t'adoro, Resti dunque quel birbon. download 1:31. Coro John Alldis, Orquesta Filarmónica de Londres, Sir Georg Solti, Plácido Domingo, Kiri Te Kanawa Carmen, WD 31, Act I: Carmen, sur tes pas. Quels regards quelle effronterie Don José. Listen to music from John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti & Tatiana Troyanos like Carmen: L'amour est un oiseau rebelle Havanaise, Carmen: Mais Nous Ne Voyons Pas La Carmencita - L'amour Est Un Oiseau Rebelle & more. Find the latest tracks, albums, and images from John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti & Tatiana Troyanos. London Philharmonic Orchestra, Plácido Domingo & Sir Georg Solti. 93 listeners. View all similar artists. Carmen, Troyanos, Domingo, van Dam, Te Kanawa Sir Georg Solti - Tatiana Troyanos was reportedly never comfortable on stage as Carmen, but she sings it ravishingly well in this recording, in good voice and at home with the character. Placido Doming. The dialogue is unusually well done, and Georg Solti's conducting, though lacking some Gaelic wit, gets the serious parts spot-on