Beach Slang - The Things We Do To Find People Who Feel Like Us mp3

Tracklist

Credits

• Mastered By – Alan Douches
• Recorded By – Dave Downham

Notes

Includes inner lyric/credit sleeve
180 gram clear vinyl

Companies

• Recorded At – Gradwell House
• Mastered At – West West Side Music

Album

Beach Slang's debut full-length album, The Things We Do To Find People Who Feel Like Us, released Oct 30, 2015. Tracklist: 1. Throwaways 0:00 2. Bad Things We Do to Find People Who Feel Like Us - Beach Slang. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Things We Do to Find People Who Feel Like Us is the debut full-length album by American rock band Beach Slang, released on October 30, 2015, through Polyvinyl Record Co. and Big Scary Monsters in Europe. Beach Slangs first full length starts with a roar and ends 26 minutes later with the same, rarely letting up in-between. A huge, impassioned album that bridges punk energy and heartland rock n roll, The Things We Do to Find People Who Feel Like Us has as much in common with Cheap Trick and the Replacements as it does with contemporaries like Titus Andronicus and Japandroids-artists who pledge their sincerity and get dirty doing it. And as with the Replacements, its the bands tender moments that hit hardest: Too Late to Die Young and the bittersweet Porno Love. The Things We Do To Find. A few stats on Beach Slangs glorious and galvanizing debut album: in less than a half hour, it provides 10 righteous bursts of punk rock boosterism. All of them speak of being fucked up, being a fuck-up, or some combination of both. In seven of those songs, James Alex sings the word alive, in three others, he sings young, and there's one song called Young and Alive. He doesnt hide this fact, and it serves as the basis for The Things We Dos centerpiece and outlier. Too young to die, too late to die young, Alex sighs with superhuman earnestness over capoed acoustic guitar and, since this is the ballad, cue the strings and pianos. The Things We Do sounds like the product of an alternate reality in which Bruce Springsteen was a teenager in the 2000s who spent all his time crafting the perfect instant messenger away notifications instead of ruminating on small town America. But Alex and his bandmates pull it off with sheer conviction and force of will. Lush and loud, Beach Slang's album The Things We Do To Find People Who Feel Like Us is a fun ride. Fav Tracks: Throwaways, Noisy Heaven, Dirty Lights Least Fav Tracks: Bad Art & Weirdo Ideas Expand. Fine, but they sound too much like the Replacements. Its too overriding for me, and that's all I can hear. Producers Beach Slang. Writers James Alex. More Beach Slang albums. The Deadbeat Bang of Heartbreak City. MPLS EP. Show all albums by Beach Slang. Beach Slang. The Things We Do to Find People Who Feel Like Us. A few of the songs sound a lot like one another, and, like any rock & roll, The Things We Do can come off as risible to the rational heart and sensible head, but for the uncertain and, to refer to the Replacements, unsatisfied, the album is potentially relatable and potently cathartic. The songs I make, I barely rehearse themThey're hardly mistakesThey're meant to be honest. Listen free to Beach Slang The Things We Do To Find. Do you know any background info about this album Start the wiki. They have been described as sounding like a one-night stand between The Psychedelic Furs and The Replacements&Listen free to Beach Slang The Things We Do To Find People Who Feel Like Us Throwaways, Bad Art & Weirdo Ideas and more. 10 tracks 26:56. They have been described as sounding like a one-night stand between The Psychedelic Furs and The Replacements& read more. Similar Artists. Feel Like Us distills classic Mats to its purest essence, essentially imagining a Tim where every song tried to be Left of the Dial. Part of what separates Feel Like Us from the work of other Westerberg High alums - and even from Beach Slangs earlier EPs, 2014s Cheap Thrills on a Dead End Street and Who Would Ever Want Anything So Broken - is the maximalized production, now co-helmed by Alex and engineer Dave Downham. Guitars are mixed loud for premium impact and left to ring in perpetuity, so that each power chord hits like that first gulp of ice-cold Yuengling. Alexs voice is layered on itself to the point where he becomes his own first row of fans, howling along to every song