MP3 2060 mb.
Performer: Alice Cooper
Title: Love It To Death
Country: US
Catalog Number: WS 1883
Label: Warner Bros. Records
Released: 1971
Style: Classic Rock
Rating: 4.8
Votes: 928
| 1 | Long Way To Go | 3:04 |
| 2 | Is It My Body | 2:40 |
| 3 | Hallowed Be My Name | 2:30 |
| 4 | Second Coming | 3:05 |
| 5 | Sun AriseWritten-By – Butler, Harris | 4:08 |
| 6 | Ballad Of Dwight FryVoice [Child] – Monica Lauer | 6:33 |
| 7 | Caught In A Dream | 3:10 |
| 8 | I'm Eighteen | 3:01 |
| 9 | Black Juju | 9:12 |
Recorded at RCA Mid-America Recording Center, Chicago.
First pressing cover image of The Band with
Alice holding his thumb extended outside
of his cape by his crotch.
Variations on cover
- Exposed thumb cover (Straight Records/pink label)
- Exposed thumb cover with -Including Their Hit "I'm Eighteen"-
written in black letters in white box on cover (Warner Bros./green label)
- Entire cover image lowered one third with top & bottom
thirds cropped by blank white space (Warner Bros./green label)
- Thumb airbrushed over with -Including Their Hit "I'm Eighteen"-
written in black letters in white box on cover (Warner Bros./palm tree label)
Love It to Death is the third studio album by American rock group Alice Cooper, released in March 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound. The album's best-known track, I'm Eighteen, was released as a single to test the band's commercial viability before the album was recorded. Love It To Death - Alice Cooper. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Love It to Death is the third studio album by the band Alice Cooper, released in March 1971. It was the bands first commercially successful album, and is considered to be where the band first consolidated its aggressive hard-rocking sound. The albums best-known track, Im Eighteen , was released as a single to test the bands commercial viability before the album was recorded. Songs in album Alice Cooper - Love It To Death 1971. Alice Cooper - Caught In A Dream. Alice Cooper - I'm Eighteen. Сингл из него, I'm Eighteen, стал первым хитом группы в США 21. Обложка пластинки вызвала скандал из-за пальца, высунутого Купером из штанов,в виде пениса ,и несколько раз редактировалась и существует в четырёх вариантах. Песня I'm Eighteen была настолько популярна среди рокеров, что трудно сказать даже, кто её не играл на своих концертах. Recording on Midi Records. First released under the title Love It To Death in February 1971. Linernotes by Mike Rodger. Session engineer: Brian Christian. Alice Cooper - Love It To Death 1971. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Album 1971 9 Songs. Love It to Death. Alice Cooper. Hard Rock 1971. Love It to Death was where sloppy rocker Cooper tightened up and took his place as hard-rock hero for a new generation that wasn't sure if love was all you needed. Teen philosophy circa 1971: When you see me with a smile on my faceThen you'll know I'm a mental case. Alice Cooper Live 1971 Album: Love It To Death Lyrics: What have I got That makes you want to love me Now, is it my body or someone I might be free to Alice Cooper Love It to Death Caught in a Dream, I'm Eighteen and more. 9 tracks 37:17. Alice Cooper recorded their first album for Warner Brothers after releasing two psychedelic albums for Frank Zappa's indie label. Love It To Death features the garage rock and roll sound the band would become famous for in hit singles Is It My Body & I'm Eighteen and fan favorites Long Way To Go & Love It Death. Released March 9, 1971. Love It to Death Tracklist. Caught in a Dream Lyrics. Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums Pretties for You and Easy Action were both largely psychedelicacid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stag